Wydawnictwo: Lawo Classics
Nr katalogowy: LWC 1237
Nośnik: 1 CD
Data wydania: sierpień 2022
EAN: 7090020182599
Nr katalogowy: LWC 1237
Nośnik: 1 CD
Data wydania: sierpień 2022
EAN: 7090020182599
Nasze kategorie wyszukiwania
Epoka muzyczna: współczesna
Obszar (język): norweski, szwedzki
Instrumenty: saksofon, fortepian
Epoka muzyczna: współczesna
Obszar (język): norweski, szwedzki
Instrumenty: saksofon, fortepian
Adderley / Thommessen / Eliasson: Out of Step
Lawo Classics - LWC 1237
Kompozytor
Mark Adderley (ur. 1960)
Olav Anton Thommessen (ur. 1946)
Anders Erik Birger Eliasson (1947-2013)
Bjorn Kruse, Ragnar Söderlind, Olav Berg
Mark Adderley (ur. 1960)
Olav Anton Thommessen (ur. 1946)
Anders Erik Birger Eliasson (1947-2013)
Bjorn Kruse, Ragnar Söderlind, Olav Berg
Wykonawcy
Lars Lien, saxophone
Sergej Osadchuk, piano
Lars Lien, saxophone
Sergej Osadchuk, piano
Utwory na płycie:
Mark Adderley:
Out of Step
Olav Anton Thommessen:
Somber Song
Bjorn Kruse:
The Secret of Gyda
Ragnar Söderlind:
Friesische Landschaft
Anders Eliasson:
Poem
Olav Berg:
Saxifraga
Out of Step
Olav Anton Thommessen:
Somber Song
Bjorn Kruse:
The Secret of Gyda
Ragnar Söderlind:
Friesische Landschaft
Anders Eliasson:
Poem
Olav Berg:
Saxifraga
"This recording is the culmination of a process spanning several years, in which the performers delved into the works of composers found right in their own backyard. The facts are that all but one of the composers on this recording were born in the 1940s (the exception here is Mark Adderley, who was born in 1960). All of the composers are Norwegian, except for Anders Eliasson from Sweden and Adderley, who is half English, half Swedish, and has lived in Norway since 1981. Three of the composers have worked as professors at the Norwegian Academy of Music, an institution that has been at the forefront of the education of Norwegian composers since its establishment in 1973.
These facts have not in themselves been instrumental in the choice of repertoire; rather it was more important that the works were composed for saxophone and piano, and that we as performers believed that they were works that deserved to be realized into sound, and given attention beyond their catalog listings in various music libraries. The works become audible and alive through such a recording, rather than existing only as visual notations in the composers’ manuscripts. There is so much fantastic music created in Norway and the Nordic countries that we wanted to bring some of it to light in order to make musicians and audiences, potentially all over the globe, more aware of the high quality of works from these countries. The recording also documents some of the different artistic directions and variations to be found among Norwegian and Nordic composers around the turn of the millennium."
Recorded in Sofienberg Church, Oslo, 11–12 February and 15–16 September 2020.
These facts have not in themselves been instrumental in the choice of repertoire; rather it was more important that the works were composed for saxophone and piano, and that we as performers believed that they were works that deserved to be realized into sound, and given attention beyond their catalog listings in various music libraries. The works become audible and alive through such a recording, rather than existing only as visual notations in the composers’ manuscripts. There is so much fantastic music created in Norway and the Nordic countries that we wanted to bring some of it to light in order to make musicians and audiences, potentially all over the globe, more aware of the high quality of works from these countries. The recording also documents some of the different artistic directions and variations to be found among Norwegian and Nordic composers around the turn of the millennium."
Recorded in Sofienberg Church, Oslo, 11–12 February and 15–16 September 2020.