Wydawnictwo: LSO Live
Nr katalogowy: LSO 5073LP
Nośnik: 1 LP
Data wydania: wrzesień 2017
EAN: 822231507314
Nr katalogowy: LSO 5073LP
Nośnik: 1 LP
Data wydania: wrzesień 2017
EAN: 822231507314
Nasze kategorie wyszukiwania
Epoka muzyczna: współczesna
Obszar (język): angielski (USA)
Instrumenty: instr. perkusyjne
Epoka muzyczna: współczesna
Obszar (język): angielski (USA)
Instrumenty: instr. perkusyjne
Reich: Sextet, Clapping Music
LSO Live - LSO 5073LP
Kompozytor
Steve Reich (ur. 1936)
Steve Reich (ur. 1936)
Wykonawcy
LSO Percussion Ensemble
LSO Percussion Ensemble
Utwory na płycie:
Sextet
Clapping Music
Music for Pieces of Wood
Clapping Music
Music for Pieces of Wood
LSO Live explore the music of America’s most influential living composer with performances of three of his most iconic works: Sextet, Clapping Music and Music for Pieces of Wood.
Employing Reich’s universally recognisable sound-world, Sextet uses hypnotic repetitions of a sequence of harmonies, which gradually overlap and interweave, resulting in a complex yet utterly compelling musical landscape. Introducing more dissonance and aggressive rhythms than previous compositions, the relationship of the five movements is that of an arch form, A-B-C-B-A. Changes in tempo are made abruptly at the beginning of new movements by metric modulation and sections are also organised harmonically with a chord cycle for the first and fifth. Reich says of the work – ‘The ambiguity here is between which is melody and which is accompaniment. In music that uses a great deal of repetition, I believe it is precisely these kinds of ambiguity that give vitality and life’.
Employing Reich’s universally recognisable sound-world, Sextet uses hypnotic repetitions of a sequence of harmonies, which gradually overlap and interweave, resulting in a complex yet utterly compelling musical landscape. Introducing more dissonance and aggressive rhythms than previous compositions, the relationship of the five movements is that of an arch form, A-B-C-B-A. Changes in tempo are made abruptly at the beginning of new movements by metric modulation and sections are also organised harmonically with a chord cycle for the first and fifth. Reich says of the work – ‘The ambiguity here is between which is melody and which is accompaniment. In music that uses a great deal of repetition, I believe it is precisely these kinds of ambiguity that give vitality and life’.