Utwory na płycie:

• Symphony No 2 The Four Temperaments - Allegro collerico (Choleric)
• Symphony No 2 The Four Temperaments - Allegro comodo e flemmatico (Phlegmatic)
• Symphony No 2 The Four Temperaments - Andante malincolico (Melancholic)
• Symphony No 2 The Four Temperaments - Allegro sanguineo - Marziale (Sanguine)
• Symphony No 3 Sinfonia Espansiva - Allegro espansivo
• Symphony No 3 Sinfonia Espansiva - Andante pastorale
• Symphony No 3 Sinfonia Espansiva - Allegretto un poco
• Symphony No 3 Sinfonia Espansiva - Finale- Allegro

Sir Colin Davis completes his enlightening Nielsen Symphony cycle with the eagerly awaited Symphonies Nos 2 & 3. The first title in the series, Symphonies Nos 4 & 5, was Editor’s Choice in Gramophone and Orchestral Choice of the Month in BBC Music Magazine. Symphonies Nos 1 & 6 were awarded CD of the Week in the Sunday Times.

Nielsen’s Second Symphony was inspired by a naive but vivid painting representing the Four Temperaments of the human personality. Adopting these defining characters for each of the symphony’s movements Nielsen realised a sonic depiction of emotion. His Third Symphony, the most openly Danish of his symphonies, portrays spaciousness, power and vitality and is considered his greatest international achievement.

Recently released on LSO Live include Tchaikovsky’s first three symphonies (***** The Guardian), Valery Gergiev’s criticallyacclaimed Mahler cycle as a boxed set, and Fauré’s Requiem featuring Tenebrae and the LSO Chamber Ensemble. Forthcoming in March 2013 is the completion of Sir Colin Davis’ Berlioz cycle, Grande Messe des morts.

Sir Colin has recently been unable to fill his conducting engagements but he hopes to return to the podium in the new year, leading the LSO with Mozart’s Requiem in January 2013 and Schubert Symphony No 8 & Brahms Violin Concerto Op. 77 with Nicolai Znaider in March.

Symphony No 2

***** ‘The LSO displayed a strong sense of movement throughout, coaxed along by Sir Colin with an even and steady hand. The Allegro collerico first movement was spirited, even violent at points … The final movement, Allegro sanguineo, was a tour de force of the brass section, blasting away in wild abandon, totally cowing the strings.’ Bachtrack (UK)

Symphony No 3

‘Davis unleashed the opening allegro with an irresistible swing, fabulously played by the LSO, but he was sufficiently inside Nielsen’s symphonic imagination not to allow the more ruminative inner movements to be overwhelmed. It’s amazing to think that Davis has only recently come to the composer.’ The Guardian (UK)

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DSD recording, live at the Barbican December 2011; Stereo and multi-channel 5.1