Wydawnictwo: Etcetera
Nr katalogowy: KTC 1748
Nośnik: 1 CD
Data wydania: styczeń 2022
EAN: 8711801017488
Nr katalogowy: KTC 1748
Nośnik: 1 CD
Data wydania: styczeń 2022
EAN: 8711801017488
Nasze kategorie wyszukiwania
Epoka muzyczna: 20 wiek do 1960
Obszar (język): francuski, hiszpański
Instrumenty: gitara, fortepian
Rodzaj: sonata
Epoka muzyczna: 20 wiek do 1960
Obszar (język): francuski, hiszpański
Instrumenty: gitara, fortepian
Rodzaj: sonata
Milhaud / Poulenc / Ponce: Paris Les Annees Folles
Etcetera - KTC 1748
Kompozytor
Darius Milhaud (1892-1974)
Francis Poulenc (1899-1963)
Manuel Ponce (1882-1948)
Arthur Honegger, Frank Martin, Heitor Villa-Lobos, Igor Stravinsky, Maurice Ravel, Erik Satie, Bohuslav Martinu
Darius Milhaud (1892-1974)
Francis Poulenc (1899-1963)
Manuel Ponce (1882-1948)
Arthur Honegger, Frank Martin, Heitor Villa-Lobos, Igor Stravinsky, Maurice Ravel, Erik Satie, Bohuslav Martinu
Wykonawcy
Duo Adentro:
Saskia Van Herzeele, guitar
Maarten Vandenbemden, piano
Duo Adentro:
Saskia Van Herzeele, guitar
Maarten Vandenbemden, piano
Darius Milhaud:
Le boeuf sur le toit, Op. 58
Scaramouche, Op. 165b
Francis Poulenc:
Capriccio (d’apres Le Bal masqué), FP 155
Arthur Honegger:
Pastorale d’été, H. 31
Manuel Maria Ponce:
Sonata for guitar and harpsichord
Frank Martin:
Pavane Couleur du Temps
Heitor Villa-Lobos:
Chôrinho, from Suite Populaire Brésilienne, W020
Igor Stravinsky:
Petrushka, K. 12 - Danse Russe
Maurice Ravel:
Pavane pour une infante défunte, M. 19
Erik Satie:
Gnossienne No. 1
Bohuslav Martinu:
La Revue de Cuisine, H. 161 - Charleston
Le boeuf sur le toit, Op. 58
Scaramouche, Op. 165b
Francis Poulenc:
Capriccio (d’apres Le Bal masqué), FP 155
Arthur Honegger:
Pastorale d’été, H. 31
Manuel Maria Ponce:
Sonata for guitar and harpsichord
Frank Martin:
Pavane Couleur du Temps
Heitor Villa-Lobos:
Chôrinho, from Suite Populaire Brésilienne, W020
Igor Stravinsky:
Petrushka, K. 12 - Danse Russe
Maurice Ravel:
Pavane pour une infante défunte, M. 19
Erik Satie:
Gnossienne No. 1
Bohuslav Martinu:
La Revue de Cuisine, H. 161 - Charleston
Together, Saskia Van Herzeele and Maarten Vandenbemden are Adentro: a young musical duo that combines the guitar and the piano. The surprising dialogue between their two instruments creates a poetic world of sound and touches the audience within. The duo met at the Royal Conservatory in Brussels, was inspired by Thomas Dieltjens, Dirk Vermeulen and Viviane Spanoghe and works intensively together with Wolfgang Heiremans. In January 2018, Duo Adentro was one of the three Flemish finalists of the chamber music competition “Supernova”. A few months later, in May 2018, they won the Competition for Chamber Music with Guitar at the Twents Guitar Festival.
Their first CD “Once upon a time…” (Etcetera Records) was launched in 2018 and told the story of their plunge in the world of guitar-piano-music. The album was nominated as one of the 10 Best Albums by Classical Guitar Magazine (USA).
Adentro performs concerts of original music for guitar and piano, but also refreshing arrangements of classical chamber music. The dreamy harmony of their ensemble inspires collaborations in the fields of musical theatre and social artistic projects. The duo has found a formula that fits them perfectly: intimate concert programmes with colourful (re)interpretations, always with new and surprising perspectives. They thus make each concert into a special event which, along with the audience, is experienced increasingly interiorly.
Their first CD “Once upon a time…” (Etcetera Records) was launched in 2018 and told the story of their plunge in the world of guitar-piano-music. The album was nominated as one of the 10 Best Albums by Classical Guitar Magazine (USA).
Adentro performs concerts of original music for guitar and piano, but also refreshing arrangements of classical chamber music. The dreamy harmony of their ensemble inspires collaborations in the fields of musical theatre and social artistic projects. The duo has found a formula that fits them perfectly: intimate concert programmes with colourful (re)interpretations, always with new and surprising perspectives. They thus make each concert into a special event which, along with the audience, is experienced increasingly interiorly.