Utwory na płycie:

• Schi-King, Op. 15 - Nr. 1 Der Einzige
• Schi-King, Op. 15 - Nr. 2 Mädchenlied
• Schi-King, Op. 15 - Nr. 3 Über'm Flusse drüben
• Schi-King, Op. 15 - Nr. 4 Im Mondschein
• Schi-King, Op. 15 - Nr. 5 Im Morgendämmer
• Schi-King, Op. 15 - Nr. 6 Der Grenzwächter
• Schi-King, Op. 15 - Nr. 7 Vergebliche Beschwörung
• Schi-King, Op. 15 - Nr. 8 Traumer um Pe-Hi
• Schi-King, Op. 15 - Nr. 9 Der Unrechte
• Schi-King, Op. 15 - Nr. 10 Jägerliebchen
• Schi-King, Op. 15 - Nr. 11 Begegnung
• Schi-King, Op. 15 - Nr. 12 Das Frühlingsfest
• Schi-King, Op. 15 - Nr. 13 Bei Regenwetter
• Schi-King, Op. 15 - Nr. 14 Das schwarze Hofmannskleid
• Schi-King, Op. 15 - Nr. 15 Die Folgsame
• Schi-King, Op. 15 - Nr. 16 Wasserstille
• Schi-King, Op. 15 - Nr. 17 Das Ahnenfest
• Schi-King, Op. 15 - Nr. 18 Kriegslied der Fürstin
• Fantasietten, Op. 42 - Nr. 1 Andantino
• Fantasietten, Op. 42 - Nr. 2 Allegretto
• Fantasietten, Op. 42 - Nr. 3 Allegretto
• Fantasietten, Op. 42 - Nr. 4 Allegretto
• Fantasietten, Op. 42 - Nr. 5 Andante (Für die Rechte allein)
• Fantasietten, Op. 42 - Nr. 6 Allegro (Für die Linke allein)
• Fantasietten, Op. 42 - Nr. 7 Allegretto amabile
• Fantasietten, Op. 42 - Nr. 8 Triumphmarsch: Allegro maestoso
• Fantasietten, Op. 42 - Nr. 9 Allegretto
• Fantasietten, Op. 42 - Nr. 10 Abschied von der Kirmes: Allegretto
• Fantasietten, Op. 42 - Nr. 11 Allegretto
• Fantasietten, Op. 42 - Nr. 12 Poco maestoso

Fantasietten – 23 small pieces for solo piano, Op. 42
Shi Jing song book – 18 Songs for high voice and piano based on the German translations by Friedrich Rückert, Op. 15
Suite No. 1 for piano, Op. 34

“Warm humanity that infuses everything technical with life and a sense of duty” Numerous composers who were victims of Nazi persecution have been rediscovered in recent years. As in the case of many other outstanding musicians, one can only wonder why it has taken so long for Bernhard Sekles’s music to be rescued from oblivion. In Sekles’s case this question is very difficult to answer, since his works are truly of the highest quality and they enrich the repertoire in a number of different music genres. What is more, prior to 1933 Sekles was one of the best known personalities of his generation on the entire music scene; for a long time, he was pivotal to music life in Germany, both as a successful composer and author of many popular and frequently performed works and as an outstanding teacher of composition whose classes nurtured numerous famous musicians.

Finally, he was, for almost ten years, the highly innovative Director of the Hoch Conservatoire in Frankfurt am Main, one of the most important, internationally acknowledged teaching institutions of its day in the field of music. He was very attached to the city of his birth; indeed, he lived there for almost all of his life