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Epoka muzyczna: 20 wiek do 1960
Obszar (język): niemiecki
Instrumenty: fortepian
Rodzaj: sonata, pieśń, divertimento
Epoka muzyczna: 20 wiek do 1960
Obszar (język): niemiecki
Instrumenty: fortepian
Rodzaj: sonata, pieśń, divertimento
Heller: Piano Works and Songs
Haenssler - HC 22002
Kompozytor
Hans Heller (1898-1969)
Hans Heller (1898-1969)
Utwory na płycie:
- Piano Sonata, Op. 3 (Berlin 1926/27) - 1. Molto allegro - Molto agitato
- Piano Sonata, Op. 3 (Berlin 1926/27) - 2. Lento
- Piano Sonata, Op. 3 (Berlin 1926/27) - 3. Presto
- From the little everyday life. 4 Songs, Op. 8 - 1. Nichts ist so rührend wie die Habseligkeiten der Toten
- From the little everyday life. 4 Songs, Op. 8 - 2. Man muss die Frauen der kleinen Beamten sehen
- From the little everyday life. 4 Songs, Op. 8 - 3. Die armen Leute ziehen am Sonntag hinaus
- From the little everyday life. 4 Songs, Op. 8 - 4. Arbeiter reißen die Straße auf
- Two Scherzi, Op. 4 (Berlin 1926) - Nr. 1 Prestissimo
- From the little everyday life. 4 Songs, Op. 8 - Nr. 2 Allegro
- Sleep, sleep (Paris 1938, lyrics: Friedrich Hebbel)
- Little Suite (New York 1951) - 1. Prelude
- Little Suite (New York 1951) - 2. Meditation
- Little Suite (New York 1951) - 3. Scherzino
- Little Suite (New York 1951) - 4. Elegie
- Little Suite (New York 1951) - 5. Like the song of a bird
- Little Suite (New York 1951) - 6. Molto vivace
- Les Aveugles (Paris 1938, lyrics: Charles Baudelaire)
- Divertimento (Berlin 1959) - 1. Introduzione
- Divertimento (Berlin 1959) - 2. Allegretto scherzando
- Divertimento (Berlin 1959) - 3. Vivace
- Divertimento (Berlin 1959) - 4. Andante molto
- Divertimento (Berlin 1959) - 5. Veemente
- Divertimento (Berlin 1959) - 6. Teneramente
- Divertimento (Berlin 1959) - 7. Tempo di marcia
Piano Sonata, Op. 3
From the little everyday life. 4 Songs, Op. 8
Two Scherzi, Op. 4
Sleep, sleep…
Little Suite
Les Aveugles
Divertimento
From the little everyday life. 4 Songs, Op. 8
Two Scherzi, Op. 4
Sleep, sleep…
Little Suite
Les Aveugles
Divertimento
After Hans Heller’s death on December 9, 1969, and after the end of Ingrid Heller’s pianistic career, his name disappeared altogether from the music scene.
To this day, his oeuvre has been largely ignored by musicological research. It is to be hoped that Hans Heller’s work will soon be finally accorded the recognition it deserves, both on the German and international music scene.
His musical quality and originality, his humanistic message and its contemporary relevance are the best preconditions for that to come about.
Recording: July 27, 2020 (piano works), March 22, 2021 (songs), Kammermusikstudio Stuttgart des SWR.
To this day, his oeuvre has been largely ignored by musicological research. It is to be hoped that Hans Heller’s work will soon be finally accorded the recognition it deserves, both on the German and international music scene.
His musical quality and originality, his humanistic message and its contemporary relevance are the best preconditions for that to come about.
Recording: July 27, 2020 (piano works), March 22, 2021 (songs), Kammermusikstudio Stuttgart des SWR.