Ysaye: Six Sonatas, Op. 27
Haenssler - HC 20087
Kompozytor
Eugene Ysaye (1858-1931)
Eugene Ysaye (1858-1931)
Wykonawcy
Maxim Brilinsky, violin
Maxim Brilinsky, violin
Nagrody i rekomendacje
Utwory na płycie:
Sonate für Violine solo g-moll, Op. 27 Nr. 1 - 1. Grave- Sonate für Violine solo g-moll, Op. 27 Nr. 1 - 2. Fugato
- Sonate für Violine solo g-moll, Op. 27 Nr. 1 - 3. Allegretto poco scherzoso
- Sonate für Violine solo g-moll, Op. 27 Nr. 1 - 4. Finale con brio
- Sonate für Violine solo a-moll, Op. 27 Nr. 2 - 1. Obsession: Prélude
- Sonate für Violine solo a-moll, Op. 27 Nr. 2 - 2. Malinconia
- Sonate für Violine solo a-moll, Op. 27 Nr. 2 - 3. Danse des Ombres: Sarabande
- Sonate für Violine solo a-moll, Op. 27 Nr. 2 - 4. Les Furies
- Sonate für Violine solo d-moll, Op. 27 Nr. 3 "Ballade"
- Sonate für Violine solo e-moll, Op. 27 Nr. 4 - 1. Allemande
- Sonate für Violine solo e-moll, Op. 27 Nr. 4 - 2. Sarabande
- Sonate für Violine solo e-moll, Op. 27 Nr. 4 - 3. Finale
- Sonate für Violine solo G-Dur, Op. 27 Nr. 5 - 1. L'Aurore
- Sonate für Violine solo G-Dur, Op. 27 Nr. 5 - 2. Danse rustique
- Sonate für Violine solo E-Dur, Op. 27 Nr. 6 - Allegro giusto non troppo vivo
Sonata No. 1 in G minor, Op. 27
Sonata No. 2 in A minor, Op. 27
Sonata No. 3 in D minor, Op. 27
Sonata No. 4 in E minor, Op. 27
Sonata No. 5 in G minor, Op. 27
Sonata No. 6 in E major, Op. 27
Sonata No. 2 in A minor, Op. 27
Sonata No. 3 in D minor, Op. 27
Sonata No. 4 in E minor, Op. 27
Sonata No. 5 in G minor, Op. 27
Sonata No. 6 in E major, Op. 27
In 2021 the 90th anniversary of the Belgian violinist, composer and teacher, Eugene Ysaye, is commemorated. The 6 sonatas op. 27 are the focal point of his musical creation. Together with Johann Sebastian Bach’s Sonatas and Partitas, and Niccolo Paganini’s 24 Caprices op. 1, they constitute key works in the repertoire for solo violin.
Brilinsky’s intention is ‘not to emphasise technique, but rather sound and above all the magnificent music must be paramount. Polyphonic like Bach, Ysaye also gives a specific stylistic portrait of each of the six violinists the sonatas were composed for.’
Highlighting association with the Vienna school, Brilinsky plays a violin made in 1862 by the Vienna luthier Gabriel Lemböck, who was also responsible for string instruments of the Vienna Philharmonic Orchestra, founded in 1842.
Born in Lviv in Ukraine, Brilinsky began the violin as a 5-year-old in his hometown, when 15 he became a student of Michael Frischenschlager at the University of Music and Performing Arts in Vienna. Since 2011 he is a member of the Vienna Philharmonic Orchestra. In that year he won an audition for rank-and-file 1st violin, then in 2014 furthermore the position of sub-principal.
Recordings: St. Jakob Kirche, Heiligenstadt, Wien, Dec. 27 & 28, 2018 (Sonatas 1 & 2); Jan. 2, 2019 (Sonatas 3 & 4); Jan. 3, 2019 (Sonatas 5 & 6). Maxim Brilinsky plays a violin made in 1862 by the Vienna luthier Gabriel Lemböck.
Brilinsky’s intention is ‘not to emphasise technique, but rather sound and above all the magnificent music must be paramount. Polyphonic like Bach, Ysaye also gives a specific stylistic portrait of each of the six violinists the sonatas were composed for.’
Highlighting association with the Vienna school, Brilinsky plays a violin made in 1862 by the Vienna luthier Gabriel Lemböck, who was also responsible for string instruments of the Vienna Philharmonic Orchestra, founded in 1842.
Born in Lviv in Ukraine, Brilinsky began the violin as a 5-year-old in his hometown, when 15 he became a student of Michael Frischenschlager at the University of Music and Performing Arts in Vienna. Since 2011 he is a member of the Vienna Philharmonic Orchestra. In that year he won an audition for rank-and-file 1st violin, then in 2014 furthermore the position of sub-principal.
Recordings: St. Jakob Kirche, Heiligenstadt, Wien, Dec. 27 & 28, 2018 (Sonatas 1 & 2); Jan. 2, 2019 (Sonatas 3 & 4); Jan. 3, 2019 (Sonatas 5 & 6). Maxim Brilinsky plays a violin made in 1862 by the Vienna luthier Gabriel Lemböck.
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