Utwory na płycie:

• Miroirs I. Noctuelles
• Miroirs II. Oiseaux tristes
• Miroirs III. Une barque sur l’ocean
• Miroirs IV. Alborada del gracioso
• Miroirs V. La vallee des cloches
• Trois Etudes Impressionnistes I. Intermezzo – Hommage a? C. Debussy
• Trois Etudes Impressionnistes II.
• Trois Etudes Impressionnistes III. Hommage a H. Dutilleux
• Etudes d’execution transcendante I. No. 9 Ricordanza
• Etudes d’execution transcendante II. No. 10 Allegro agitato molto
• Etudes Tableaux I. Op. 33, No. 2
• Etudes Tableaux II. Op. 39, No. 4
• Book 1 of Etudes I. No. 4 Fanfares
• Book 1 of Etudes II. No. 5 Arc-en-ciel

Antheil:
Piano Concerto No. 1

Copland:
Piano Concerto

Gershwin:
Piano Concerto in F major

Honegger:
Concertino for Piano & Orchestra

Ravel:
Piano Concerto in G major

Schulhoff:
Concerto for piano and small orchestra, Op. 43 WV 66

Never did classical music and jazz come so close as during the 1920s. The first sounds from this period bear witness to the vitality of the partnership: long before the concepts of popular and serious music existed, there had been contacts between the kind of music which demands structured listening, whose laws are those of the ears alone, and the kind which works physically, whose meaning is not exclusively to be found in what can be heard. This polarisation makes itself felt in the twentieth century by virtue of the fact that European composers begin to take an interest in jazz, a variant form which brought powerful consequences.