Wydawnictwo: Haenssler
Seria: Thomas Fey Haydn Symphonies
Seria: Haydn Symphonies
Nr katalogowy: H 98535
Nośnik: 1 CD
Data wydania: maj 2010
EAN: 4010276021629
Seria: Thomas Fey Haydn Symphonies
Seria: Haydn Symphonies
Nr katalogowy: H 98535
Nośnik: 1 CD
Data wydania: maj 2010
EAN: 4010276021629
Haydn: Complete Symphonies Vol 12
Haenssler - H 98535
Kompozytor
Joseph Haydn (1732-1809)
Joseph Haydn (1732-1809)
Symphony No. 48 in C Major Hob. I:48 (Maria Theresia)
Symphony No. 56 in C Major Hob. I:56
Symphony No. 56 in C Major Hob. I:56
A CD in C major – Haydn at his most festive! But Haydn would not be
Haydn if he failed to include a few humorous digressions and surprises.
For example, in the famous Symphony No. 48, nicknamed "Maria
Theresia" – one of the composer’s most dramatic scores in the key –
Haydn called high-pitched C-alto horns and drums – to commemorate
the visit of Empress Maria Theresia to the hungarian castle Esterháza
in 1773. Similarly, the C Major Symphony No. 56 is another magnificent
piece, which, like No. 48, calls for C-alto horns and drums in addition to
some comic and grotesque writing for the bassoon. In view of the
musical demands of these pieces, it is clear that Haydn’s orchestra
consisted of well-trained, excellent musicians indeed. In this instance,
the Heidelberg Symphony Orchestra is no different! Every new release
of Haydn symphonies from Thomas Fey and his ensemble is greeted
with enthusiasm; truly this is how Haydn should sound today. To bring
this about, Fey’s musicians bridge past and present, performing both on
modern string instruments and replicas
Haydn if he failed to include a few humorous digressions and surprises.
For example, in the famous Symphony No. 48, nicknamed "Maria
Theresia" – one of the composer’s most dramatic scores in the key –
Haydn called high-pitched C-alto horns and drums – to commemorate
the visit of Empress Maria Theresia to the hungarian castle Esterháza
in 1773. Similarly, the C Major Symphony No. 56 is another magnificent
piece, which, like No. 48, calls for C-alto horns and drums in addition to
some comic and grotesque writing for the bassoon. In view of the
musical demands of these pieces, it is clear that Haydn’s orchestra
consisted of well-trained, excellent musicians indeed. In this instance,
the Heidelberg Symphony Orchestra is no different! Every new release
of Haydn symphonies from Thomas Fey and his ensemble is greeted
with enthusiasm; truly this is how Haydn should sound today. To bring
this about, Fey’s musicians bridge past and present, performing both on
modern string instruments and replicas