Wydawnictwo: Haenssler
Seria: Schumann Complete Piano Works / Florian Uhlig
Nr katalogowy: H 98050
Nośnik: 1 CD
Data wydania: luty 2015
EAN: 4010276027591
Seria: Schumann Complete Piano Works / Florian Uhlig
Nr katalogowy: H 98050
Nośnik: 1 CD
Data wydania: luty 2015
EAN: 4010276027591
Schumann: Complete Works for Piano Solo Vol. 8
Haenssler - H 98050
Kompozytor
Robert Schumann (1810-1856)
Robert Schumann (1810-1856)
Wykonawcy
Florian Uhlig, piano
Florian Uhlig, piano
Utwory na płycie:
- Carnaval op. 9 Préambule (Quasi maestoso)
- Carnaval op. 9 Arlequin (Vivo)
- Carnaval op. 9 Valse noble (Un poco maestoso)
- Carnaval op. 9 Eusebius (Adagio – Più lento, molto teneramente)
- Carnaval op. 9 Florestan (Passionato)
- Carnaval op. 9 Réplique (L’istesso tempo) Sphinxes
- Carnaval op. 9 Papillons (Prestissimo)
- Carnaval op. 9 A.S.C.H. – S.C.H.A. (Lettres dansantes, Presto)
- Carnaval op. 9 Chiarina (Passionato)
- Carnaval op. 9 Chopin (Agitato)
- Carnaval op. 9 Estrella (Con affetto)
- Carnaval op. 9 Reconnaissance (Animato)
- Carnaval op. 9 Pantalon et Colombine (Presto – Meno Presto – Tempo I)
- Carnaval op. 9 Valse allemande (Molto vivace)
- Carnaval op. 9 Intermezzo: Paganini (Presto) – Tempo I ma più vivo
- Carnaval op. 9 Aveu (Passionato)
- Carnaval op. 9 Promenade (Commodo)
- Carnaval op. 9 Pause (Vivo)
- Albumblatt III As-Dur op. 99 Nr. 6
- Walzer a-Moll op. 124 Nr. 4
- Elfe As-Dur op. 124 Nr. 17
- Fantasia sopra un tema di quatre suoni e-Moll
- (Tanz) g-Moll
- Davidsbündlertänze Heft I op. 6 Nr. 1 Lebhaft G-Dur (F. und E.)
- Davidsbündlertänze Heft I op. 6 Nr. 3 Etwas hahnbüchen G-Dur/D-Dur (F.)
- Davidsbündlertänze Heft I op. 6 Nr. 4 Ungeduldig h-Moll (F.)
- Davidsbündlertänze Heft I op. 6 Nr. 5 Einfach D-Dur (E.)
- Davidsbündlertänze Heft I op. 6 Nr. 6 Sehr rasch und in sich hinein d-Moll/D-Dur (F.)
- Davidsbündlertänze Heft I op. 6 Nr. 7 Nicht schnell – Mit äußerst starker Empfindung g-Moll/As-Dur (E.)
- Davidsbündlertänze Heft I op. 6 Nr. 8 Frisch c-Moll (F.)
- Davidsbündlertänze Heft I op. 6 Nr. 9 Lebhaft C-Dur
- Davidsbündlertänze Heft II op. 6 Nr. 1 Balladenmäßig. Sehr rasch d-Moll (F.)
- Davidsbündlertänze Heft II op. 6 Nr. 2 Einfach D-Dur (E.)
- Davidsbündlertänze Heft II op. 6 Nr. 3 Mit Humor e-Moll (F.)
- Davidsbündlertänze Heft II op. 6 Nr. 4 Wild und lustig h-Moll/H-Dur (F. und E.)
- Davidsbündlertänze Heft II op. 6 Nr. 5 Zart und singend Es-Dur (E.)
- Davidsbündlertänze Heft II op. 6 Nr. 6 Frisch B-Dur/Es-Dur (F. und E.)
- Davidsbündlertänze Heft II op. 6 Nr. 7 Mit gutem Humor D-Dur/h-Moll
- Davidsbündlertänze Heft II op. 6 Nr. 8 Wie aus der Ferne/Nach und nach schneller H-Dur/h-Moll (F. und E.)
- Davidsbündlertänze Heft II op. 6 Nr. 9 Nicht schnell C-Dur
Davidsbündler against Philistines:
Carnaval – Scenes migonnes sur quatre notes op. 9
Carnaval – Related Works
Davidsbündlertänze op. 6
Carnaval – Scenes migonnes sur quatre notes op. 9
Carnaval – Related Works
Davidsbündlertänze op. 6
With the 8th installment of the first true integral recording of Schumann's works for solo piano, F lorian Uhlig reaches the midway point of his widely acclaimed and much admired project. That Schumann deserve such a presentation, is undisputed, and by organizing each installment by musical themes, allows for both a more accessible and representative imm ersion into the world of the composer’s thoughts and feelings. This new CD deals with the dual nature of the composer and writer: It finds its finest expression in the "Davidsbündlertänze" (1st version, Op. 6 ), in the idea of Davidsbündler in which differ ent views on art mint in the figures Florestan and Eusebius which are also liable for the individual pieces of this cycle. The typical romantic play of rubrics, musical ciphers and pseudonyms can also be found in the "Carnaval" Op. 9 – a work which Schuman n himself felt was too difficult to be performed and understood. Together with these two great piano cycles, Florian Uhlig has collected some related miniatures that either Schumann composed and later rejected, or for one reason or another was never incl uded in subsequent printed editions. Among these are at least three premiere recordings. That Florian Uhlig convincingly masters these emotionally complex works in both technical and expressive terms requires no further mention. Once again, he has assemble d a CD program that clearly sets itself apart from other typical recitals.