Felix Mendelssohn Bartholdy: Ouvertüre zum Oratorium "Paulus" op. 36 Transkriptionen für Orgel von Martin Schmeding Johann Sebastian Bach: "Ich will bei meinem Jesu wachen" Arie mit Chor aus der "Matthäus-Passion" BWV 244 Johann Sebastian Bach: Choralpräludium "Eine feste Burg ist unser Gott" Improvisation von Rudolf Lutz Johann Sebastian Bach: Choralpräludium I "Schmücke Dich, o liebe Seele" Improvisation von Rudolf Lutz Johann Sebastian Bach: Choralpräludium II "Schmücke Dich, o liebe Seele" Improvisation von Rudolf Lutz Felix Mendelssohn Bartholdy: Präludium und Fuge c-Moll op. 37/1 Präludium Fuge Rudolf Lutz: Improvisationen Albumblatt "Der Mond ist aufgegangen" Klänge aus dem Appenzeller Land Johann Sebastian Bach: R. Lutz: Improvisation über Sonate im klassischen Stil nach Motiven des "Actus tragicus" Allegretto Andante cantabile Rondo. Allegro moderato Niels Wilhelm Gade (1817-1890): Tonstück Nr. 1 F-Dur op. 22/1 Moderato Robert Schumann: Fuge Nr. 1 aus "Sechs Fugen über den Namen BACH" op. 60 Langsam Johann Sebastian Bach: Einleitung zu der Cantate: "Gottes Zeit ist die allerbeste Zeit" Orgelbearbeitung von Martin Schmeding nach der Klaviertranskription von Fanny Hensel Rudolf Lutz: Improvisation Choralbearbeitung über "Schmücke Dich, o liebe Seele" Concerto sopra "Innsbruck, ich muß Dich lassen" Johann Sebastian Bach: "Schmücke Dich, o liebe Seele" BWV 654 Wolfgang Amadeus Mozart: "Orgelstück für eine Uhr" (Phantasie) f-Moll KV 608 Allegro - Andante - [Tempo I] Felix Mendelssohn Bartholdy: Sonate d-Moll "O Haupt voll Blut und Wunden" (autographes Fragment) Choral Con moto poco Allegro Andante con moto
It is as though Felix Mendelssohn-Bartholdy himself were seated at the organ and invoking the sounds of his Paulus oratorio: this is how the new Genuin CD begins, with all tracks recorded on church organs in and around Leipzig. And it is not only because listeners feel themselves being transported back to the time when the composer lived, whose 200th birthday we celebrate this year and who was an inspiration to organists of his day and for generations afterwards: Rolf Lutz and Martin Schmeding paint a many-hued tableau of Mendelssohn's time, performing transcriptions, improvisations and original compositions, as was commonly practiced in the nineteenth century. Encyclopedic variety and admirable consistency-on original organs of Saxony! "[...] a thematically well thought-out disc which not only introduces Mendelssohn's music, but also presents the historicism of the 19th century as a phenomenon of its time [...] a CD which is interesting not only for organ fans." (Leipziger Kreuzer 6/2009) data wydania: 22-05-2009