Haydn & His London Disciples
Genuin - GEN 19650
Wykonawcy
Rebecca Maurer, piano
Rebecca Maurer, piano
Utwory na płycie:
- Sonata in C major, Hob. XVI:50 - Allegro
- Sonata in C major, Hob. XVI:50 - Adagio
- Sonata in C major, Hob. XVI:50 - Allegro Molto
- Three Canzonetta's of Dr. Haydn's Arrangedas Rondos for the Piano Forte - Canzonetta II – Rondo. Allegretto
- Three Canzonetta's of Dr. Haydn's Arrangedas Rondos for the Piano Forte - Canzonetta III – [Rondo.] Allegretto
- Three Canzonetta's of Dr. Haydn's Arrangedas Rondos for the Piano Forte - Canzonetta I – Rondo. Allegretto
- Fantaisie for the Piano Forte
- Three Sonatas for the Pianoforte, Op. 3 - Sonata I in A major, II. Lente
- Sonata II in B-f lat major from A Second Sett of Three Sonatas, for the Piano Forte - Adagio – Allegro
- Sonata II in B-f lat major from A Second Sett of Three Sonatas, for the Piano Forte - Allegretto (A Celebrated Air by Asioli Adapted as a Rondo)
- Sonata in E-flat major, Hob. XVI:52 - Allegro
- Sonata in E-flat major, Hob. XVI:52 - Adagio
- Sonata in E-flat major, Hob. XVI:52 - Finale: Presto
Joseph Haydn:
Sonata in C major, Hob. XVI:50
Sonata in E-flat major, Hob. XVI:52
Thomas Haigh:
Three Canzonetta's of Dr. Haydn's Arranged as Rondos for the Piano Forte
Fantaisie for the Piano Forte in which is Introduced "God Save the Emperor"
Sonata II in B-flat major, Op. 10
Christian Ignatius Latrobe:
Sonata I in A major, Op. 3 - II. Lente
Sonata in C major, Hob. XVI:50
Sonata in E-flat major, Hob. XVI:52
Thomas Haigh:
Three Canzonetta's of Dr. Haydn's Arranged as Rondos for the Piano Forte
Fantaisie for the Piano Forte in which is Introduced "God Save the Emperor"
Sonata II in B-flat major, Op. 10
Christian Ignatius Latrobe:
Sonata I in A major, Op. 3 - II. Lente
Haydn under the magnifying glass
What did Haydn sound like while he was on tour in London, giving concerts and teaching? Today, nobody perhaps comes closer to the sound from that time than Rebecca Maurer, who plays here on her original London fortepiano from 1816. Furthermore, the internationally sought-after fortepiano virtuoso does this with dazzling technique and immaculate stylistic confidence. The repertoire is also sensational, above all because it is not every day that one finds world premiere recordings by Haydn students on program flyers: fragrant music of Sentimentalism with some hints of Romanticism by Thomas Haigh and Christian Ignatius Latrobe. Outstanding repertoire!
What did Haydn sound like while he was on tour in London, giving concerts and teaching? Today, nobody perhaps comes closer to the sound from that time than Rebecca Maurer, who plays here on her original London fortepiano from 1816. Furthermore, the internationally sought-after fortepiano virtuoso does this with dazzling technique and immaculate stylistic confidence. The repertoire is also sensational, above all because it is not every day that one finds world premiere recordings by Haydn students on program flyers: fragrant music of Sentimentalism with some hints of Romanticism by Thomas Haigh and Christian Ignatius Latrobe. Outstanding repertoire!