Utwory na płycie:

• Grotesque
• Lullaby
• Stone. Salt and Sky - I. Processional
• Stone. Salt and Sky - II. Horizon
• Stone. Salt and Sky - III. Harbour Blues
• Duo (Theme and Variations) - Theme. Andante moderato
• Duo (Theme and Variations) - Variation I. Allegro
• Duo (Theme and Variations) - Variation II. Andante espressivo. rubato
• Duo (Theme and Variations) - Variation III. Allegro commodo –
• Duo (Theme and Variations) - Variation IV. Molto moderato. espressivo –
• Duo (Theme and Variations) - Variation V. Allegro molto
• Duo (Theme and Variations) - Variation VI. Allegro vigoroso
• Duo (Theme and Variations) - Variation VII. Lento serioso
• Duo (Theme and Variations) - Variation VIII. Allegro molto
• Antibes
• Thirteen Ways of Looking at a Blackbird - I. Among twenty snowy mountains
• Thirteen Ways of Looking at a Blackbird - II. I was of three minds
• Thirteen Ways of Looking at a Blackbird - III. The blackbird whirled in the autumn winds
• Thirteen Ways of Looking at a Blackbird - IV. A man and a woman are one
• Thirteen Ways of Looking at a Blackbird - V. The blackbird whistling. or just after
• Thirteen Ways of Looking at a Blackbird - VI. The shadow of the blackbird
• Thirteen Ways of Looking at a Blackbird - VII. O thin men of Haddam. why do you imagine golden birds?
• Thirteen Ways of Looking at a Blackbird - VIII. I know noble accents
• Thirteen Ways of Looking at a Blackbird - IX. When the blackbird flew out of sight
• Thirteen Ways of Looking at a Blackbird - X. At the sight of the blackbirds flying in a green light
• Thirteen Ways of Looking at a Blackbird - XI. He rode over Connecticut in a glass coach
• Thirteen Ways of Looking at a Blackbird - XII. The river is moving
• Thirteen Ways of Looking at a Blackbird - XIII. The blackbird sat in the cedar-limbs

Beamish:
Stone, Salt and Sky

Clarke:
Lullaby and Grotesque (1916)

Maconchy:
Duo (Theme and Variations)

Strachan:
Thirteen Ways of Looking at a Blackbird

Formed in 2019, award-winning violin and cello duo GAIA have rapidly won plaudits for their pioneering programming and bold and daring performances.Their debut album release features three works specially written for the duo, and also bears testimony to their championing of works by underrepresented and overlooked voices from classical music’s past.

Elements of folk and jazz string-playing styles rub shoulders with traditional chamber-music imperatives in a programme that is full of women’s voices: those of the performers; of composers Sally Beamish, Rebecca Clarke and Elizabeth Maconchy; and of the singers of two Scottish folksongs, taped recordings of which frame Duncan Strachan’s hauntingly evocative Thirteen Ways of Looking at a Blackbird.