Utwory na płycie:

• Nuits d’Afrique - I. Berceuse
• Nuits d’Afrique - II. Le tam-tam
• Nuits d’Afrique - III. Crocodile
• Nuits d’Afrique - IV. Le village
• Three Chorales for cello and piano - No. 1, Angels Bending Near the Earth
• Three Chorales for cello and piano - No. 2, In Death's Dark Vale
• Three Chorales for cello and piano - No. 3, O Sapientia
• O Viridissima
• Sketches from a Bagpiper's Album - No. 1, Salute
• Sketches from a Bagpiper's Album - No. 2, Nocturne
• Sketches from a Bagpiper's Album - No. 3, Lament
• Day Break Shadows Flee
• Really? - No. 1, Incidents in Traffic
• Really? - No. 2, The Expansion of Porridge
• Really? - No. 3, What Is Eternity?
• Airs from Another Planet - No. 1, Strathspey & Reel
• Airs from Another Planet - No. 2, Traditional Air
• Airs from Another Planet - No. 3, Jig
• Airs from Another Planet - No. 4, Bagpipe Air, with Drones

Nuits d'Afrique
Three Chorales for cello and piano
O Viridissima for piano trio
The Bagpiper's String Trio
Day Break Shadows Flee for solo piano
Really?
Airs from another Planet

This survey of Judith Weir’s often quirky and always engaging music displays some of the concerns that unite her writing for voice and for instruments: storytelling and the gap between truth and fiction; invention and fantasy; the lessons that can be learned from other times and other cultures.

Communication between generations, continents and women lies at the heart of Nuits d’Afrique, conceived as a companion piece to Maurice Ravel’s Chansons made´casses. Its dedicatee, Ailish Tynan, joins the outstanding Hebrides Ensemble players here and in Really?, a resonant sequence of folk-tales set in an idiosyncratic mixture of speech and song.

The hymns of the medieval Rhenish saint, poet and composer Hildegard of Bingen underlie two recent chamber pieces, while the early Airs from another Planet imagines how Scottish folk music might sound after several generations of evolution in outer space.