Diem festum veneremur, sequence Sancta Anna, moder Christ, wedding song Improvisation on "Gaudet mater ecclesia," for Jew's harp Ferro transecuit, antiphon Hostia grata Deo, antiphon Grímur á Midalnes Gethornslát, for animal horn The Warrior with his Lyre, for lyre Melody from Hultebro, for hornpipe & frame drum
Scandinavia’s archaeologically known prehistory encompasses around twelve thousand years, culminating in the Viking period (c.800–1050AD). The Middle Ages then followed, around six hundred years later than in continental Europe – a late development due to the long period in which ice still covered Europe’s northern parts. Volume 2 in Delphian Records’ groundbreaking collaboration with the European Music Archaeology Project constructs a soundscape of these two periods, featuring both music improvised on Viking instruments, and notated songs and instrumental items from the early centuries of Christianity in Scandinavia. EMAP brings together partners from ten European countries to research, explore and bring to life the music of ancient cultures, from 40,000 BC to the present day. Through a series of international exhibitions, visitors will also have the chance to see and touch these intriguing instruments, allowing us to understand more fully the crucial role played by music in ancient societies.