Two Nocturnes Op. 27
Polonaise in A flat major Op. 53
Sonata No. 2 in B flat minor Op. 35
Nocturne in E flat major Op. 9 No. 2
Prelude in D flat major Op. 28 No. 15, ‘Raindrop’
Fantaisie in F minor Op. 49

David Wilde made his first Delphian appearance in a recital of Chopin’s music recorded live at the Wigmore Hall. Seven recordings and twelve years later, immediately following the death of his wife Jane, David stopped work on a disc of recently written British piano sonatas and turned instead to making a second Chopin programme, in memory of Jane.

In his eightieth year, David’s breathtaking virtuosity and towering intellect combine in interpretations informed by a long lifetime of study and performance. And in this music, which has been central to his own musical life, David’s performances revel in Chopin’s extremes. This is after all the composer who is reported to have said to a pupil: ‘If I had your strength and could play that Polonaise as it should be played, there would be no string left unbroken by the time I had finished!’ Wilde’s Chopin is not for the timid. These are performances fuelled by passion, combining heartfelt tenderness with deep personal grief