Wydawnictwo: Relief
Nr katalogowy: CR 8003
Nośnik: 2 CD
Data wydania: grudzień 2009
EAN: 7619934800322
Nr katalogowy: CR 8003
Nośnik: 2 CD
Data wydania: grudzień 2009
EAN: 7619934800322
Dvorak: Stabat mater op. 58
Relief - CR 8003
Kompozytor
Antonin Dvorak (1841-1904)
Antonin Dvorak (1841-1904)
Wykonawcy
Elfride Trötschel, soprano
Lore Fischer, alt
Walther Ludwig, tenor
Josef Greindl, bass
Chor der St. Hedwigs-Kathedrale Berlin
RIAS-Kammerchor
RIAS-Symphonie-Orchester / Ferenc Fricsay
Elfride Trötschel, soprano
Lore Fischer, alt
Walther Ludwig, tenor
Josef Greindl, bass
Chor der St. Hedwigs-Kathedrale Berlin
RIAS-Kammerchor
RIAS-Symphonie-Orchester / Ferenc Fricsay
The Hungarian conductor Ferenc Fricsay (1914–1963) studied music under Béla Bartók, Zoltán
Kodály, Ernst von Dohnányi, and Leo Weiner. His debut conducting the Budapest Opera was in
1939 and in 1945 he was appointed the company's music director, taking the parallel appointment
with the Budapest Philharmonic. At the 1947 Salzburg Festival, when conductor Otto Klemperer
was forced to withdraw from conducting the premiere of Gottfried Von Einem's opera Dantons Tod,
Fricsay stepped in, receiving international accolades for a sterling performance. He became music
director of the then newly formed RIAS Symphony Orchestra in Germany in 1949. He was
musical director of the Houston Symphony in 1954. He spent much of his time from the 1950s
onward in Germany as music director of the Bavarian State Opera (1956–1958) and as conductor
of the Deutsche Oper Berlin and the Berlin Philharmonic.
Fricsay's approach to conducting was influenced heavily by Toscanini, whose relationship with the
NBC Symphony he used as a model for his own work with the RIAS Symphony Orchestra. He
emphasized strict tempos and precise playing, with a close adherence to the score. Fricsay's
recordings have a significant cult following among classical music devotees.
Kodály, Ernst von Dohnányi, and Leo Weiner. His debut conducting the Budapest Opera was in
1939 and in 1945 he was appointed the company's music director, taking the parallel appointment
with the Budapest Philharmonic. At the 1947 Salzburg Festival, when conductor Otto Klemperer
was forced to withdraw from conducting the premiere of Gottfried Von Einem's opera Dantons Tod,
Fricsay stepped in, receiving international accolades for a sterling performance. He became music
director of the then newly formed RIAS Symphony Orchestra in Germany in 1949. He was
musical director of the Houston Symphony in 1954. He spent much of his time from the 1950s
onward in Germany as music director of the Bavarian State Opera (1956–1958) and as conductor
of the Deutsche Oper Berlin and the Berlin Philharmonic.
Fricsay's approach to conducting was influenced heavily by Toscanini, whose relationship with the
NBC Symphony he used as a model for his own work with the RIAS Symphony Orchestra. He
emphasized strict tempos and precise playing, with a close adherence to the score. Fricsay's
recordings have a significant cult following among classical music devotees.