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Epoka muzyczna: 20 wiek do 1960, romantyzm
Obszar (język): angielski
Rodzaj: pieśń
Epoka muzyczna: 20 wiek do 1960, romantyzm
Obszar (język): angielski
Rodzaj: pieśń
Stanford / Finzi / Williams: Sirens’ Song
Coro - COR 16198
Kompozytor
Sir Charles Villiers Stanford (1852–1924)
Gerald Finzi (1901-1956)
Vaughan Ralph Williams (1872-1958)
Imogen Holst, Arthur Sullivan, Elizabeth Maconchy
Sir Charles Villiers Stanford (1852–1924)
Gerald Finzi (1901-1956)
Vaughan Ralph Williams (1872-1958)
Imogen Holst, Arthur Sullivan, Elizabeth Maconchy
Utwory na płycie:
Charles Villiers Stanford:
Eight Partsongs, Op. 119
Elizabeth Maconchy:
Sirens’ Song
Imogen Holst:
Welcome Joy and Welcome Sorrow
Ralph Vaughan Williams:
Silence and Music
Gerald Finzi:
Seven Poems of Robert Bridges
Arthur Sullivan:
The Long Day Closes
Eight Partsongs, Op. 119
Elizabeth Maconchy:
Sirens’ Song
Imogen Holst:
Welcome Joy and Welcome Sorrow
Ralph Vaughan Williams:
Silence and Music
Gerald Finzi:
Seven Poems of Robert Bridges
Arthur Sullivan:
The Long Day Closes
What would singing be without words? When you combine wonderful poetry with exquisite music, the result is magical. In a rare break from the sacred collections they are famed for, this album from The Sixteen features a whole programme of secular music devoted to English partsongs. From Stanford’s cycle of Eight Partsongs based on the sparing yet infectious poetry of Mary Elizabeth Coleridge to Bridges’ lyrically descriptive writing in Finzi’s Seven Poems of Robert Bridges and Imogen Holst’s six idyllic partsongs Welcome Joy and Welcome Sorrow using verses by John Keats, each setting captures the mood of the poem brilliantly.