Utwory na płycie:

• Pacelli: Gaudent in caelis
• Bertolusi: Timor Domini
• Pacelli: Beati estis
• Marenzio: Iniquos odio habui
• Marenzio: Missa Super Iniquos - Kyrie
• Marenzio: Missa Super Iniquos - Gloria
• Bertolusi: Sancta Maria
• Marenzio: Missa Super Iniquos - Credo
• Bertolusi: Peccantem me
• Marenzio: Missa Super Iniquos - Sanctus
• Marenzio: Missa Super Iniquos - Benedictus
• Marenzio: Missa Super Iniquos - Agnus Dei
• Pacelli: Media nocte
• Marenzio: Iubilate Deo
• Bertolusi: Ave Verum corpus
• Pacelli: Christus resurgens

PACELLI :
Gaudent in caelis
Beati estis
Media nocte
Christus resurgens

BERTOLUSI:
Timor Domini
Sancta Maria, succurre miseris
Peccantem me quotidie
Ave verum corpus

MARENZIO:
Iniquos odio habui
Missa super Iniquos odio habui
Jubilate Deo omnis terra

The fourth volume in this highly acclaimed series, conducted by The Sixteen’s Associate Conductor, Eamonn Dougan, explores the music of Italian composers working in the Polish court during the reign of Sigismund III Vasa. In 1594 Sigismund III set about reorganising his music ensemble and he decided to bring in Italian musicians, singularly esteemed at that time, and, in particular, musicians associated with the music chapels of Rome. Amongst them were Luca Marenzio, Asprillo Pacelli, and Vincenzo Bertolusi; their arrival heralded a new dawn for sacred music in Poland. The centrepiece of this album is Marenzio’s exquisite Missa super Iniquos odio habui. The Kyrie and Gloria movements are known but the remaining parts of the Mass were feared lost following World War II, but were appropriated by the Soviets and have only been rediscovered since the fall of the Berlin Wall. This is the premiere recording of the complete Mass which is set alongside the motet Iniquos odio habui on which is is based. Also included are Pacelli’s joyous Beati estis and Bertolusi’s sublime Ave verum corpus.

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FIRST COMPLETE RECORDING OF MARENZIO’S MISSA SUPER INIQUOS ODIO HABUI