Wydawnictwo: Coro
Seria: Palestrina The Sixteen
Nr katalogowy: COR 16105
Nośnik: 1 CD
Data wydania: październik 2012
EAN: 828021610523
Seria: Palestrina The Sixteen
Nr katalogowy: COR 16105
Nośnik: 1 CD
Data wydania: październik 2012
EAN: 828021610523
Palestrina: Volume 2
Coro - COR 16105
Nagrody i rekomendacje
Utwory na płycie:
Motet - Hodie Christus natus est
Hymn - Christe Redemptor omnium
Magnificat Quinti toni
Tui sunt caeli
Reges Tharsis
Missa Hodie Christus natus est
Song of Songs:
nos. 1-3:
Osculetur me osculo oris sui
Trahe me post te
Nigra sum sed formosa
Motet O magnum mysterium 6 voc.
Hymn - Christe Redemptor omnium
Magnificat Quinti toni
Tui sunt caeli
Reges Tharsis
Missa Hodie Christus natus est
Song of Songs:
nos. 1-3:
Osculetur me osculo oris sui
Trahe me post te
Nigra sum sed formosa
Motet O magnum mysterium 6 voc.
Following the success of the first volume in their Palestrina series which won the International Classical Music Award for Early Music, Harry Christophers and The Sixteen release the second recording in the series which has a Christmas theme.
Palestrina was born in 1525 not far from Rome, in the town whose name he bore and from which we take the cover images for this series of discs.
Possibly the greatest composer of liturgical music of all time, Palestrina was a towering figure in Renaissance polyphony. Choral singers world-wide will know his Missa Papae Marcelli (recorded by The Sixteen on COR16014) as, without doubt, it is the most renowned of Palestrina’s works and possibly the most famous mass of all time.
Each volume in this series is based around a single mass and theme relevant to that mass, in this case the Nativity and the festive Motet and Mass Hodie Christus Natus Est. The mass features alongside some of his settings of the Song of Songs as well as the Magnificat Quinti toni and Motet O magnum mysterium.
Palestrina was born in 1525 not far from Rome, in the town whose name he bore and from which we take the cover images for this series of discs.
Possibly the greatest composer of liturgical music of all time, Palestrina was a towering figure in Renaissance polyphony. Choral singers world-wide will know his Missa Papae Marcelli (recorded by The Sixteen on COR16014) as, without doubt, it is the most renowned of Palestrina’s works and possibly the most famous mass of all time.
Each volume in this series is based around a single mass and theme relevant to that mass, in this case the Nativity and the festive Motet and Mass Hodie Christus Natus Est. The mass features alongside some of his settings of the Song of Songs as well as the Magnificat Quinti toni and Motet O magnum mysterium.
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