Wydawnictwo: Chandos
Nr katalogowy: CHSA 5214
Nośnik: 1 SACD
Data wydania: wrzesień 2018
EAN: 95115521427
Nr katalogowy: CHSA 5214
Nośnik: 1 SACD
Data wydania: wrzesień 2018
EAN: 95115521427
Nasze kategorie wyszukiwania
Epoka muzyczna: 20 wiek do 1960
Obszar (język): angielski
Instrumenty: wiolonczela, fortepian
Rodzaj: koncert, nokturn, toccata
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!
Epoka muzyczna: 20 wiek do 1960
Obszar (język): angielski
Instrumenty: wiolonczela, fortepian
Rodzaj: koncert, nokturn, toccata
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!
Finzi: Cello Concerto, Eclogue, etc.
Chandos - CHSA 5214
Kompozytor
Gerald Finzi (1901-1956)
Gerald Finzi (1901-1956)
Utwory na płycie:
Cello Concerto in A minor, Op. 40
Nocturne (New Year Music) in C sharp minor, Op. 7
Grande Fantasia and Toccata in D minor, Op. 38
Eclogue in F major, Op. 10
Nocturne (New Year Music) in C sharp minor, Op. 7
Grande Fantasia and Toccata in D minor, Op. 38
Eclogue in F major, Op. 10
A broad and meticulous selection of orchestral works and concertos by Gerald Finzi is here matched by a first-class cast of soloists, supported by the BBC Symphony Orchestra under the direction of Sir Andrew Davis, expert in British repertoire and conducting this year’s Last Night of the Proms.
Paul Watkins displays exhilarating virtuosity in the Cello Concerto, a central work on this album, composed in the wake of the devastating news that Finzi was terminally ill, but yet filled with ‘vigorous, almost turbulent thematic material’, as he wrote in the programme note for the work’s premiere at the Cheltenham Music Festival in 1955.
Louis Lortie, for his part, tackles the high-spirited and majestic Grand Fantasia and Toccata, the Fantasia originally conceived as part of a concerto for piano and strings and first performed on two pianos. This contrasts with the more restrained Eclogue for Piano and Strings, timeless, and blessed with a mood of benediction.
This album also features the orchestral Nocturne (subtitled ‘New Year Music’), dark, misty, and at times ironic.
Recording: Watford Colosseum; 3 and 4 February 2018. Paul Watkins
plays a cello made by Domenico Montagnana and Matteo Goffriller in Venice, c. 1730. Louis Lortie plays on The Bösendorfer 280 VC-23 Vienna Concert Grand Piano (A / N 50659).
Paul Watkins displays exhilarating virtuosity in the Cello Concerto, a central work on this album, composed in the wake of the devastating news that Finzi was terminally ill, but yet filled with ‘vigorous, almost turbulent thematic material’, as he wrote in the programme note for the work’s premiere at the Cheltenham Music Festival in 1955.
Louis Lortie, for his part, tackles the high-spirited and majestic Grand Fantasia and Toccata, the Fantasia originally conceived as part of a concerto for piano and strings and first performed on two pianos. This contrasts with the more restrained Eclogue for Piano and Strings, timeless, and blessed with a mood of benediction.
This album also features the orchestral Nocturne (subtitled ‘New Year Music’), dark, misty, and at times ironic.
Recording: Watford Colosseum; 3 and 4 February 2018. Paul Watkins
plays a cello made by Domenico Montagnana and Matteo Goffriller in Venice, c. 1730. Louis Lortie plays on The Bösendorfer 280 VC-23 Vienna Concert Grand Piano (A / N 50659).