Wydawnictwo: Chandos
Seria: Copland Orchestral Works
Nr katalogowy: CHSA 5195
Nośnik: 1 SACD
Data wydania: styczeń 2018
EAN: 95115519523
Seria: Copland Orchestral Works
Nr katalogowy: CHSA 5195
Nośnik: 1 SACD
Data wydania: styczeń 2018
EAN: 95115519523
Nasze kategorie wyszukiwania
Epoka muzyczna: 20 wiek do 1960
Obszar (język): angielski (USA)
Rodzaj: uwertura, symfonia
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!
Epoka muzyczna: 20 wiek do 1960
Obszar (język): angielski (USA)
Rodzaj: uwertura, symfonia
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!Copland: Orchestral Works, Vol. 3
Chandos - CHSA 5195
Kompozytor
Aaron Copland (1900-1990)
Aaron Copland (1900-1990)
Nagrody i rekomendacje
Utwory na płycie:
An Outdoor Overture for Orchestra
Symphony No. 1 for Large Orchestra
Statements
Dance Symphony for Large Orchestra
Symphony No. 1 for Large Orchestra
Statements
Dance Symphony for Large Orchestra
The exploration by John Wilson of Copland’s major orchestral output with the BBC Philharmonic has now reached Volume 3, with this invigorating programme recorded in surround-sound.
It opens with An Outdoor Overture, a cheerful and breezy piece which Copland composed in 1938, intending to spearhead an initiative encouraging ‘American Music for American Youth’.
Originally written for organ and orchestra, the First Symphony is presented here in its revised version (1926-28) for large orchestra. The six concise movements of Statements (1932-35) introduce a new style, their gritty soundscapes being stunning examples of what Copland later would refer to as ‘hard-bitten’ pieces.
The concluding work is the expressive, fantastical Dance Symphony (1929) which explores different styles of symphonic movements, its dark aura a residue of its origin as a ballet on a grotesque vampire theme, composed 1922-25 and named Grohg. The symphony has remained a highly controversial piece ever since.
Recording: MediaCityUK, Salford; 15 and 16 June 2016
It opens with An Outdoor Overture, a cheerful and breezy piece which Copland composed in 1938, intending to spearhead an initiative encouraging ‘American Music for American Youth’.
Originally written for organ and orchestra, the First Symphony is presented here in its revised version (1926-28) for large orchestra. The six concise movements of Statements (1932-35) introduce a new style, their gritty soundscapes being stunning examples of what Copland later would refer to as ‘hard-bitten’ pieces.
The concluding work is the expressive, fantastical Dance Symphony (1929) which explores different styles of symphonic movements, its dark aura a residue of its origin as a ballet on a grotesque vampire theme, composed 1922-25 and named Grohg. The symphony has remained a highly controversial piece ever since.
Recording: MediaCityUK, Salford; 15 and 16 June 2016
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