Wydawnictwo: Chandos
Nr katalogowy: CHSA 5162
Nośnik: 1 SACD
Data wydania: grudzień 2015
EAN: 95115516225
Nr katalogowy: CHSA 5162
Nośnik: 1 SACD
Data wydania: grudzień 2015
EAN: 95115516225
Nasze kategorie wyszukiwania
Epoka muzyczna: romantyzm
Obszar (język): francuski
Instrumenty: wiolonczela, fortepian
Rodzaj: koncert
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!
Epoka muzyczna: romantyzm
Obszar (język): francuski
Instrumenty: wiolonczela, fortepian
Rodzaj: koncert
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!
Saint-Saens: Cello Concertos
Chandos - CHSA 5162
Kompozytor
Camille Saint-Saens (1835-1921)
Camille Saint-Saens (1835-1921)
Wykonawcy
Truls Mork, Cello
Louis Lortie, Piano
Hélene Mercier, Piano
Alasdair Malloy, Glass Harmonica
Bergen Philharmonic Orchestra / Neeme Järvi
Truls Mork, Cello
Louis Lortie, Piano
Hélene Mercier, Piano
Alasdair Malloy, Glass Harmonica
Bergen Philharmonic Orchestra / Neeme Järvi
Utwory na płycie:
Cello Concerto No. 1 in A minor, Op. 33
Cello Concerto No. 2 in D minor, Op. 119
The Carnival of the Animals
Africa, Op. 89
Caprice-Valse, Op. 76 ‘Wedding-cake'
Cello Concerto No. 2 in D minor, Op. 119
The Carnival of the Animals
Africa, Op. 89
Caprice-Valse, Op. 76 ‘Wedding-cake'
The Bergen Philharmonic Orchestra and Neeme Järvi present this unusual collection of popular works by Saint-Saëns, for orchestra and piano or cello. Truls Mork, this season Artist in Residence with the Orchestre Philharmonique de Radio France, is the soloist in the two contrasted cello concertos. His ‘seemingly flawless technical command’ is tested in the suave, expressive, famous No. 1 as well as in the many taxing solo passages, huge leaps, and double-stopping flourishes of No. 2. The indefatigable duo Louis Lortie and Hélene Mercier join in the posthumously published Carnival of the Animals, after a highly successful recording of Concertos by Poulenc with Edward Gardner, Disc of the Week in The Sunday Times. They offer the original version, which features a glass harmonica (normally substituted by a glockenspiel). Louis Lortie is also the soloist in the entertaining fantasia Africa, which incorporates folk tunes of the different countries in which it was composed and which is brought off with consummate zest, as well as in the most characteristic and probably challenging of the composer’s keyboard pieces, the Caprice-Valse Wedding-cake, written for the second wedding of the composer’s virtuosic pianist friend Caroline Montigny-Rémaury.