Utwory na płycie:

• Symphonic Variations (1936-38) - Andante -
• Symphonic Variations (1936-38) - Allegro - Stesso movimento -
• Symphonic Variations (1936-38) - Adagio - Andante -
• Symphonic Variations (1936-38) - Allegro non troppo - Subito poco meno mosso - Vivace
• Concerto for Piano and Orchestra (1987-88) - dotted crotchet=c 110 - crotchet=c 70 -
• Concerto for Piano and Orchestra (1987-88) - Presto (crotchet=c 160) - Poco meno mosso - Lento -
• Concerto for Piano and Orchestra (1987-88) - quaver=c 85 - Largo (crotchet=40 - 45) -
• Concerto for Piano and Orchestra (1987-88) - crotchet=c 84 - Poco meno mosso - Più mosso (crotchet=c 110) -
• Variations on a Theme of Paganini (1978)
• Symphony No 4 (1988-92) - crotchet=c 55 - crotchet=c 80 - quaver=c 160 -
• Symphony No 4 (1988-92) - crotchet=c 85 - crotchet=c 115 - Tempo i (crotchet=c 85) -
• Symphony No 4 (1988-92) - Lento (dotted crotchet=c 60) - Tempo I (dotted crotchet=c 85) - crotchet=c 100 -
• Symphony No 4 (1988-92) - dotted crotchet=c 70 - crotchet=c 60 -
• Symphony No 4 (1988-92) - crotchet=c 160 - 170

Symphonic Variations (1936-38)
Concerto for Piano and Orchestra (1987-88) For Krystian Zimerman
Variations on a Theme of Paganini (1978) for Solo Piano and Orchestra
Symphony No. 4 (1988-92)

This is the third volume in the Chandos series devoted to the music of the Polish composer Witold Lutosławski. It brings together his first surviving orchestral piece (The Symphonic Variations) and his last symphony, as well as two works for piano and orchestra – an early work originally written for two pianos (The ‘Paganini’ Variations), and his very last concerto. The works are performed by the BBC Symphony Orchestra under Edward Gardner, described by Gramophone as a veritable ‘Dream Team’ in Vol. 1. They are joined in this recording by Louis Lortie, the awardwinning pianist and exclusive Chandos artist.

Lutosławski composed his Symphonic Variations while he was studying with Witold Maliszewski at the Warsaw Conservatory. When he showed the work to his teacher, he was told in no uncertain terms: ‘For me your work is ugly.’ A rather disheartening response to be sure, but perhaps also proof that here was a work that was well ahead of its time. Today it fits in easily with the European tradition of variation form, and is considered a prime example of the lush, but edgy harmonies of the composer, and of his vivid ear for instrumental colour and virtuosity.

Less than three years later, Poland was invaded by Germany, and normal music life disappeared. In its place, musical cafés emerged as places where light music as well as mainstream repertoire was performed. Lutosławski made his living in these cafés by playing a repertoire of light music, arranged by himself and his piano-duet partner, Andrzej Panufnik. All but one of these works were destroyed during the Warsaw Uprising in 1944. The sole survivor was the Variations on a Theme of Paganini. The version recorded here is Lutosławski’s orchestration for piano and orchestra, of the original version for two pianos.

Also on this disc is the Piano Concerto, the last of Lutosławski’s concertante works, as well as Symphony No. 4, which Lutosławski composed over four years (1988 – 92), conducting its premiere in Los Angeles, with the Los Angeles Philharmonic, in 1993, just a year before his death.

The Polish series is supported by the Adam Mickiewicz Institute.

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