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Epoka muzyczna: 20 wiek do 1960, współczesna
Obszar (język): francuski, angielski
Instrumenty: wiolonczela, fortepian
Rodzaj: sonata
Epoka muzyczna: 20 wiek do 1960, współczesna
Obszar (język): francuski, angielski
Instrumenty: wiolonczela, fortepian
Rodzaj: sonata
Britten / Boulanger / Debussy: Path to the Moon
Chandos - CHAN 20274
Kompozytor
Benjamin Britten (1913-1976)
Lilli Boulanger (1893-1918)
Claude Debussy (1862-1918)
Gabriel Fauré, Erich Wolfgang Korngold, Florence Price, Nina Simone, Toru Takemitsu, George Walker
Benjamin Britten (1913-1976)
Lilli Boulanger (1893-1918)
Claude Debussy (1862-1918)
Gabriel Fauré, Erich Wolfgang Korngold, Florence Price, Nina Simone, Toru Takemitsu, George Walker
Wykonawcy
Laura van der Heijden, cello
Jâms Coleman, piano
Laura van der Heijden, cello
Jâms Coleman, piano
Utwory na płycie:
- Korngold - Schonste Nacht Op.36 No.25 (1946)
- Korngold - Schonste Nacht Op.36 No.25 (1946)
- Britten - Sonata Op.65 (1960-61) - Elegia. Lento - Poco a poco crescendo ed animando -
- Britten - Sonata Op.65 (1960-61) - Elegia. Lento - Poco a poco crescendo ed animando -
- Britten - Sonata Op.65 (1960-61) - Marica. Energico
- Britten - Sonata Op.65 (1960-61) - Marica. Energico
- Britten - Sonata Op.65 (1960-61) - Moto Perpetuo. Presto
- Britten - Sonata Op.65 (1960-61) - Moto Perpetuo. Presto
- Debussy - Beau soir L 6 (c.1880 revised 1890-91)
- Debussy - Beau soir L 6 (c.1880 revised 1890-91)
- Faure - Clair de lune Op.46 No.2 (1887)
- Faure - Clair de lune Op.46 No.2 (1887)
- Debussy - Cello Sonata L 135 (1915) - Prologue. Lent. Sostenuto e molto risoluto - Poco animando -
- Debussy - Cello Sonata L 135 (1915) - Prologue. Lent. Sostenuto e molto risoluto - Poco animando -
- Debussy - Cello Sonata L 135 (1915) - [Serenade.] Moderement anime - Fuoco -
- Debussy - Cello Sonata L 135 (1915) - [Serenade.] Moderement anime - Fuoco -
- Debussy - Cello Sonata L 135 (1915) - Finale. Anime. Leger et nerveux - Rubato - Poco stretto -
- Debussy - Cello Sonata L 135 (1915) - Finale. Anime. Leger et nerveux - Rubato - Poco stretto -
- Takemitsu - Will Tomorrow I Wonder B Cloudy or Clear?
- Takemitsu - Will Tomorrow I Wonder B Cloudy or Clear?
- Simone - Everyones Gone to the Moon (1965/1969)
- Simone - Everyones Gone to the Moon (1965/1969)
- Walker - Cello Sonata - Allegro passionato - Molto meno mosso - Piu mosso -
- Walker - Cello Sonata - Allegro passionato - Molto meno mosso - Piu mosso -
- Debussy - Clair de lune (c.1890 revised 1905)
- Debussy - Clair de lune (c.1890 revised 1905)
- Walker - Cello Sonata - Sostenuto
- Walker - Cello Sonata - Sostenuto
- Walker - Cello Sonata - Allegro - Presto
- Walker - Cello Sonata - Allegro - Presto
- Boulanger - Reflets (1911)
- Boulanger - Reflets (1911)
- Price - Night (1946)
- Price - Night (1946)
- Britten - Sonetto XXX (1940)
- Britten - Sonetto XXX (1940)
- Britten - Sonata Op.65 (1960-61) - Dialogo. Allegro - Animato - Tranquillo - Tranquillo
- Britten - Sonata Op.65 (1960-61) - Dialogo. Allegro - Animato - Tranquillo - Tranquillo
- Britten - Sonata Op.65 (1960-61) - Scherzo-pizzicato. Allegretto
- Britten - Sonata Op.65 (1960-61) - Scherzo-pizzicato. Allegretto
Benjamin Britten:
Sonetto XXX from Seven Sonnets of Michelangelo
Cello Sonata in C, Op. 65
Lili Boulanger:
Reflets
Claude Debussy:
Beau soir
Cello Sonata in D minor
Clair de lune
Gabriel Fauré:
Clair de lune
Erich Wolfgang Korngold:
Schönste Nacht from Die stumme Serenade, Op. 36
Florence Price:
Night
Nina Simone:
Everyone’s Gone to the Moon
Toru Takemitsu:
Will Tomorrow, I Wonder, Be Cloudy or Clear?
George Walker:
Cello Sonata in C
Sonetto XXX from Seven Sonnets of Michelangelo
Cello Sonata in C, Op. 65
Lili Boulanger:
Reflets
Claude Debussy:
Beau soir
Cello Sonata in D minor
Clair de lune
Gabriel Fauré:
Clair de lune
Erich Wolfgang Korngold:
Schönste Nacht from Die stumme Serenade, Op. 36
Florence Price:
Night
Nina Simone:
Everyone’s Gone to the Moon
Toru Takemitsu:
Will Tomorrow, I Wonder, Be Cloudy or Clear?
George Walker:
Cello Sonata in C
The performers write: ‘Selecting the repertoire for our album Path to the Moon, we wanted to explore a number of possibilities for binding together a programme. To place different works alongside one another is a wonderful way of bringing out new and unusual qualities in each piece. William T. Horton’s fantastic image The Path to the Moon immediately inspired a flurry of ideas, including works on the subjects of both night and the moon, as well as pieces which invoke the exploratory nature of humankind’s voyage to the moon. Britten wrote his Sonata for Cello and Piano only two years after the first object made by humans had touched the surface of the moon, in 1959. Humans throughout history and from all cultures have been drawn to and taken inspiration from the moon and we have tried to reflect this in our eclectic choice of song repertoire: from Toru Takemitsu to Nina Simone and from Lili Boulanger to Florence Price. As we hope you will hear on this album, Walker’s Cello Sonata rings with echoes of the sound-worlds of blues and jazz and is infused with a beautiful lyricism. We really believe that Walker’s Cello Sonata deserves to become a staple of the chamber music repertoire and are absolutely thrilled to offer you a recording of it in the context of our own exploration of a path to the moon.’