Wydawnictwo: Chandos
Nr katalogowy: CHAN 10850(2)
Nośnik: 2 CD
Data wydania: kwiecień 2015
EAN: 95115185025
Nr katalogowy: CHAN 10850(2)
Nośnik: 2 CD
Data wydania: kwiecień 2015
EAN: 95115185025
Nasze kategorie wyszukiwania
Epoka muzyczna: romantyzm
Obszar (język): niemiecki
Instrumenty: skrzypce, wiolonczela
Rodzaj: sonata
Epoka muzyczna: romantyzm
Obszar (język): niemiecki
Instrumenty: skrzypce, wiolonczela
Rodzaj: sonata
Schubert: Chamber Works
Chandos - CHAN 10850(2)
Kompozytor
Franz Schubert (1797-1828)
Franz Schubert (1797-1828)
Utwory na płycie:
Fantasie in C major, Op. post. 159, D 934
Sonatas, Op. post. 137 Nos 1 – 3, D 384, D 385, D 408
Sonata in A major, Op. post. 162, D 574
Adagio in E flat, Op. post. 148, D 897
Rondeau brillant, Op. 70, D 895
Sonata in A minor, D 821 ‘Arpeggione’
Sonatas, Op. post. 137 Nos 1 – 3, D 384, D 385, D 408
Sonata in A major, Op. post. 162, D 574
Adagio in E flat, Op. post. 148, D 897
Rondeau brillant, Op. 70, D 895
Sonata in A minor, D 821 ‘Arpeggione’
The electrifying partnership of Tasmin Little and Piers Lane returns in this unique double-album featuring the complete works by Schubert for violin and piano, combined with the ‘Arpeggione’ Sonata and Adagio in E flat for piano trio, an unusual collection of highly emotional masterpieces. Little and Lane have enjoyed a long-standing collaboration both on stage and in recordings. They are joined by the cellist Tim Hugh, ‘a musician with a compelling insight into the creative urge behind the notes’ (The Times).
Schubert himself was a highly competent pianist and violinist, and his first pieces for violin and piano, composed when he was nineteen, have always been regarded as proper sonatas, although published as ‘sonatinas’ by Diabelli, perhaps because of their relative brevity.
There is little new to say about the monumental ‘Arpeggione’; but Schubert’s works for violin and piano are a treasured preparation for the immediacy found in both exuberant and anguished moments of this Sonata.
The Rondeau brillant, Fantasie, and Adagio are later pieces, making use of a valuable resource which was not a major ingredient in the early works: virtuosity. Gramophone has already praised the ‘complete understanding and spontaneity’ of the artists, who ‘bring moments of true musical virtuosity’ to their first album (CHAN 10749).
Schubert himself was a highly competent pianist and violinist, and his first pieces for violin and piano, composed when he was nineteen, have always been regarded as proper sonatas, although published as ‘sonatinas’ by Diabelli, perhaps because of their relative brevity.
There is little new to say about the monumental ‘Arpeggione’; but Schubert’s works for violin and piano are a treasured preparation for the immediacy found in both exuberant and anguished moments of this Sonata.
The Rondeau brillant, Fantasie, and Adagio are later pieces, making use of a valuable resource which was not a major ingredient in the early works: virtuosity. Gramophone has already praised the ‘complete understanding and spontaneity’ of the artists, who ‘bring moments of true musical virtuosity’ to their first album (CHAN 10749).