Williams: A Cotswold Romance; Death of Tintagiles
Chandos - CHAN 10728X
Kompozytor
Vaughan Ralph Williams (1872-1958)
Vaughan Ralph Williams (1872-1958)
Wykonawcy
Rosa Mannion, soprano
Thomas Randle, tenor
Matthew Brook, baritone
London Philharmonic Choir
London Symphony Orchestra / Richard Hickox
Rosa Mannion, soprano
Thomas Randle, tenor
Matthew Brook, baritone
London Philharmonic Choir
London Symphony Orchestra / Richard Hickox
Nagrody i rekomendacje
Utwory na płycie:
A Cotswold Romance - The Men of Cotsall- A Cotswold Romance - Sweet Little Linnet
- A Cotswold Romance - Hughs Song of the Road
- A Cotswold Romance - Love at First Sight
- A Cotswold Romance - The Best Man in England
- A Cotswold Romance - Alone and Friendless
- A Cotswold Romance - The Fight and the Sequel
- A Cotswold Romance - Hugh in the Stocks
- A Cotswold Romance - Mary Escapes
- A Cotswold Romance - Freedom at last
- Death of Tintagiles - Prelude- Largo - Andantino - Adagio -
- Death of Tintagiles - Lento -
- Death of Tintagiles - Allegro -
- Death of Tintagiles - Lento - Andante tranquillo - Lento -
- Death of Tintagiles - Moderato -
- Death of Tintagiles - Allegro -
- Death of Tintagiles - Lento
This re-release of two rarely heard works by Ralph Vaughan Williams, A Cotswold Romance and Death of Tintagiles, forms part of the new commemorative Hickox Legacy series on Chandos Records, leading up to (and continuing beyond) the fifth anniversary, in Nov 2013, of the conductor's untimely death. The recording is released on the Classic Chandos label at Mid Price.
Vaughan Williams composed his ‘ballad-opera’ Hugh the Drover, from which A Cotswold Romance is adapted, between 1910 and 1914. In his own words, he had an idea for an opera written ‘to real English words, with a certain amount of real English music’. The finished product, set in the Cotswold Village of Northleach during the Napoleonic wars, certainly does contain a host of identifiable English elements: the bringing-in of May, the bustling fair, and the prize-fight, for instance. Accommodating his publishers’ request for a version of the music which was more appropriate for concert performance, Vaughan Williams came up with the cantata A Cotswold Romance for tenor and soprano soloists with mixed-voice chorus and orchestra. The writing has the open, fresh, and vital quality that coloured many of Vaughan Williams’s works composed before the First World War.
In contrast, Death of Tintagiles, the incidental music for Maurice Maeterlinck’s play of the same name, is powerfully atmospheric and possesses a strong elegiac quality throughout. In five acts, the play concerns the tragic fate of a young child, Tintagiles, at the hands of his suspicious and jealous grandmother. Vaughan Williams perfectly captures the sense of foreboding and gloom in the play. In its simplicity and overall atmosphere the music recalls both Holst and Sibelius, while in the tender moments there are hints of A London Symphony, too.
BBC Music Magazine wrote of this disc: ‘Richard Hickox directs a vivid performance [of A Cotswold Romance] with splendid support from his assembled forces… Although not major works, these are notable additions to the catalogue, and the performances could hardly be better *****’.
The Richard Hickox Legacy
Richly endowed with musical qualities, Richard Hickox was a great champion of neglected music in general, and of British music in particular. His sudden death in November 2008 robbed the world of a most vital, industrious, and energising musician, whose discographical legacy remains a treasure trove of the record catalogue. With the Hickox Legacy we wish to express our gratitude to and appreciation of this great musical artist.
dawniej CHAN 9646
Vaughan Williams composed his ‘ballad-opera’ Hugh the Drover, from which A Cotswold Romance is adapted, between 1910 and 1914. In his own words, he had an idea for an opera written ‘to real English words, with a certain amount of real English music’. The finished product, set in the Cotswold Village of Northleach during the Napoleonic wars, certainly does contain a host of identifiable English elements: the bringing-in of May, the bustling fair, and the prize-fight, for instance. Accommodating his publishers’ request for a version of the music which was more appropriate for concert performance, Vaughan Williams came up with the cantata A Cotswold Romance for tenor and soprano soloists with mixed-voice chorus and orchestra. The writing has the open, fresh, and vital quality that coloured many of Vaughan Williams’s works composed before the First World War.
In contrast, Death of Tintagiles, the incidental music for Maurice Maeterlinck’s play of the same name, is powerfully atmospheric and possesses a strong elegiac quality throughout. In five acts, the play concerns the tragic fate of a young child, Tintagiles, at the hands of his suspicious and jealous grandmother. Vaughan Williams perfectly captures the sense of foreboding and gloom in the play. In its simplicity and overall atmosphere the music recalls both Holst and Sibelius, while in the tender moments there are hints of A London Symphony, too.
BBC Music Magazine wrote of this disc: ‘Richard Hickox directs a vivid performance [of A Cotswold Romance] with splendid support from his assembled forces… Although not major works, these are notable additions to the catalogue, and the performances could hardly be better *****’.
The Richard Hickox Legacy
Richly endowed with musical qualities, Richard Hickox was a great champion of neglected music in general, and of British music in particular. His sudden death in November 2008 robbed the world of a most vital, industrious, and energising musician, whose discographical legacy remains a treasure trove of the record catalogue. With the Hickox Legacy we wish to express our gratitude to and appreciation of this great musical artist.
dawniej CHAN 9646
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