Wydawnictwo: Chandos
Seria: The Lyrical Clarinet
Nr katalogowy: CHAN 10637
Nośnik: 1 CD
Data wydania: luty 2011
EAN: 95115163726
Seria: The Lyrical Clarinet
Nr katalogowy: CHAN 10637
Nośnik: 1 CD
Data wydania: luty 2011
EAN: 95115163726
Baermann / Poulenc / Finzi: Lyrical Clarinet
Chandos - CHAN 10637
Utwory na płycie:
Sonata, S 184
Duo, Op. 15
Sonate, Op. 167
Suite from ‘The Victorian Kitchen Garden’
Spiegel im Spiegel
Five Bagatelles, Op. 23
Adagio, arranged from Clarinet Quintet, No. 3, Op. 23
Duo, Op. 15
Sonate, Op. 167
Suite from ‘The Victorian Kitchen Garden’
Spiegel im Spiegel
Five Bagatelles, Op. 23
Adagio, arranged from Clarinet Quintet, No. 3, Op. 23
Michael Collins, the virtuoso clarinettist and exclusive Chandos artist, returns for a second volume in Chandos’ series
showcasing the extraordinarily wide range of music written for his instrument. The first volume, The Virtuoso
Clarinet (CHAN 10615), was described by International Record Review as: ‘…an absolute charmer, most beautifully
played… difficult to imagine a finer performance than that given here.’
Accompanied by Michael McHale on the piano, Collins here explores the lyrical qualities of the clarinet in a
programme comprising a widely varied repertoire. One of the prime qualities of the instrument is its likeness in tone
and range to the human voice, which has inspired composers to write aria- and lyric song-like pieces for it.
Baermann’s Adagio in D flat perfectly illustrates the clarinet’s capacity for sustained lyric melody, taking on the
character of an operatic aria, the clarinet’s soulful line interspersed with sudden bursts of bravura. Though once
ascribed to Richard Wagner, the piece is now acknowledged as being by Baermann, widely recognised as one of the
greatest clarinettists of his time.
Among the other key works on this release is Saint-Saëns’s four-movement Clarinet Sonata in E flat. A very late
work, it is one of three woodwind sonatas composed shortly before the composer’s death in 1921. In this work too,
the clarinet appears at its most lyrical, not least in the refined and songful opening theme; as quicker and more
extrovert music takes centre stage, the movement exploits the full virtuoso potential of the clarinet.
The Clarinet Sonata of 1962, one of Poulenc’s very last works, was dedicated to the memory of Arthur Honegger, a
fellow member of the ‘Groupe des Six’ in the 1920s, who had died in 1955. This accounts for the intense sense of
sadness and loss in the first movements. However, the finale offers relief from the sombre mood, capturing a
kaleidoscope of witty, agile, and highly rhythmic ideas right up to the dramatic conclusion.
showcasing the extraordinarily wide range of music written for his instrument. The first volume, The Virtuoso
Clarinet (CHAN 10615), was described by International Record Review as: ‘…an absolute charmer, most beautifully
played… difficult to imagine a finer performance than that given here.’
Accompanied by Michael McHale on the piano, Collins here explores the lyrical qualities of the clarinet in a
programme comprising a widely varied repertoire. One of the prime qualities of the instrument is its likeness in tone
and range to the human voice, which has inspired composers to write aria- and lyric song-like pieces for it.
Baermann’s Adagio in D flat perfectly illustrates the clarinet’s capacity for sustained lyric melody, taking on the
character of an operatic aria, the clarinet’s soulful line interspersed with sudden bursts of bravura. Though once
ascribed to Richard Wagner, the piece is now acknowledged as being by Baermann, widely recognised as one of the
greatest clarinettists of his time.
Among the other key works on this release is Saint-Saëns’s four-movement Clarinet Sonata in E flat. A very late
work, it is one of three woodwind sonatas composed shortly before the composer’s death in 1921. In this work too,
the clarinet appears at its most lyrical, not least in the refined and songful opening theme; as quicker and more
extrovert music takes centre stage, the movement exploits the full virtuoso potential of the clarinet.
The Clarinet Sonata of 1962, one of Poulenc’s very last works, was dedicated to the memory of Arthur Honegger, a
fellow member of the ‘Groupe des Six’ in the 1920s, who had died in 1955. This accounts for the intense sense of
sadness and loss in the first movements. However, the finale offers relief from the sombre mood, capturing a
kaleidoscope of witty, agile, and highly rhythmic ideas right up to the dramatic conclusion.
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