Stanford: Piano Quintet; String Quintet No 1
Hyperion - CDH 55434
Nagrody i rekomendacje
Piano Quintet in D minor Op 25
String Quintet No 1 in F major Op 85
String Quintet No 1 in F major Op 85
The RTÉ Vanbrugh Quartet, with the support of Garth Knox (viola) and Piers Lane (piano), continue their excellent survey of Stanford’s neglected chamber works (String Quartet Nos 1 & 2 were released earlier this year on CDA67434) with this recording of his String Quintet No 1 and Piano Quintet.
Growing up in his native Dublin in the 1850s and ’60s, Stanford was no stranger to high-quality chamber music, even if visits to Ireland’s capital by pre-eminent executants of the genre were sporadic. As a teenager he recalled with affection and excitement the solo recitals of Anton Rubinstein, Sigismund Thalberg and Charles Hallé, and string players such as Camillo Sivori, Ludwig Straus, Henry Vieuxtemps, Alfredo Piatti and of course Joseph Joachim, a friend of his father.
Stanford’s passion and mastery of the idiom are evident in the substantial catalogue of chamber music he produced throughout his life. His invigorating Piano Quintet dates from 1886 and transports its audience from melancholy introspection (the first two movements are in minor keys) to extrovert joy and optimism; the buoyant, richly scored String Quintet No 1 declared by Parry to be an ‘admirable piece of work’ introduces elaborate ornamental figurations resembling traditional Irish singing.
GRAMOPHONE EDITOR’S CHOICE:
‘Aconsiderable discovery, in sum, which Piers Lane and the Vanbrugh Quartet do absolutely proud …the booklet essay by Jeremy Dibble is, as ever, a model of scholarly research and enthusiasm. Flawless sound and balance, too, from the experienced Keener/Eadon production crew’ (Gramophone)
‘There’s little doubt that Piers Lane and theRTÉ Vanbrugh Quartet,recorded here with superb immediacy,recognise its evident strengths, delivering a performance of white-hot intensity that will surely help to make the work far better known …altogether an outstanding release’ (BBC Music Magazine)
The performances are deeply committed, and the sound quality is exemplary in both tonal ?delity and balance’ (Fanfare, USA)
‘The Vanbrugh players and theirAustralian and Scots guests do an absolutely ?rst-class job the string playing is beautiful and committed, as is the pianism, and the recordings are superb. So are Jeremy Dibble’s annotations. More please!’ (The Strad)
‘They couldn’t ask for more eloquent advocacy than these splendid performances’ (The Sunday Times)
dawniej CDA 67505
Growing up in his native Dublin in the 1850s and ’60s, Stanford was no stranger to high-quality chamber music, even if visits to Ireland’s capital by pre-eminent executants of the genre were sporadic. As a teenager he recalled with affection and excitement the solo recitals of Anton Rubinstein, Sigismund Thalberg and Charles Hallé, and string players such as Camillo Sivori, Ludwig Straus, Henry Vieuxtemps, Alfredo Piatti and of course Joseph Joachim, a friend of his father.
Stanford’s passion and mastery of the idiom are evident in the substantial catalogue of chamber music he produced throughout his life. His invigorating Piano Quintet dates from 1886 and transports its audience from melancholy introspection (the first two movements are in minor keys) to extrovert joy and optimism; the buoyant, richly scored String Quintet No 1 declared by Parry to be an ‘admirable piece of work’ introduces elaborate ornamental figurations resembling traditional Irish singing.
GRAMOPHONE EDITOR’S CHOICE:
‘Aconsiderable discovery, in sum, which Piers Lane and the Vanbrugh Quartet do absolutely proud …the booklet essay by Jeremy Dibble is, as ever, a model of scholarly research and enthusiasm. Flawless sound and balance, too, from the experienced Keener/Eadon production crew’ (Gramophone)
‘There’s little doubt that Piers Lane and theRTÉ Vanbrugh Quartet,recorded here with superb immediacy,recognise its evident strengths, delivering a performance of white-hot intensity that will surely help to make the work far better known …altogether an outstanding release’ (BBC Music Magazine)
The performances are deeply committed, and the sound quality is exemplary in both tonal ?delity and balance’ (Fanfare, USA)
‘The Vanbrugh players and theirAustralian and Scots guests do an absolutely ?rst-class job the string playing is beautiful and committed, as is the pianism, and the recordings are superb. So are Jeremy Dibble’s annotations. More please!’ (The Strad)
‘They couldn’t ask for more eloquent advocacy than these splendid performances’ (The Sunday Times)
dawniej CDA 67505
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