Wydawnictwo: Hyperion
Seria: Romantic Violin Concertos
Nr katalogowy: CDA 68044
Nośnik: 1 CD
Data wydania: czerwiec 2014
EAN: 34571280448
Seria: Romantic Violin Concertos
Nr katalogowy: CDA 68044
Nośnik: 1 CD
Data wydania: czerwiec 2014
EAN: 34571280448
Strauss / Busoni: Romantic Violin Concerto Volume 16 - Busoni, Strauss
Hyperion - CDA 68044
Nagrody i rekomendacje
Utwory na płycie:
Busoni: Violin Concerto In D, Op. 35a - 1. Allegro Moderato- Busoni: Violin Concerto In D, Op. 35a - 2. Quasi Andante
- Busoni: Violin Concerto In D, Op. 35a - 3. Allegro Impetuoso
- Beethoven/Busoni: Missa Solemnis, Op. 123 - 4b. Benedictus
- Strauss (R): Violin Concerto In D Minor, Op. 8 - 1. Allegro
- Strauss (R): Violin Concerto In D Minor, Op. 8 - 2. Lento Ma Non Troppo
- Strauss (R): Violin Concerto In D Minor, Op. 8 - 3. Rondo: Prestissimo
Busoni:
Violin Concerto in D major Op 35a
Strauss:
Violin Concerto in D minor Op 8
Violin Concerto in D major Op 35a
Strauss:
Violin Concerto in D minor Op 8
German violinist Tanja Becker-Bender returns to the Romantic Violin Concerto series having dazzled the critics with her‘great lyrical force and tremendous sense of drama’ in her recording of the Reger concerto. Here she appears with Hyperion house band the BBC Scottish Symphony Orchestra, conducted by Garry Walker, in Volume 16: concertos by Busoni and Strauss, each composer’s only example of the genre.
In D major, the key of Beethoven’s and Brahms’s violin concertos, Busoni’s Violin Concerto is clearly intended to continue their lineage signi?cantly, Busoni wrote cadenzas for both of them although it never descends into mere imitation. Although it uses quite a large orchestra, it is transparently scored, with plenty of Italianate cantilena for the soloist. Also included is Busoni’s transcription of the Benedictus from Beethoven’s Missa solemnis, which brings the solo violin to the fore, with instrumental obbligati representing the vocal contributions.
In D major, the key of Beethoven’s and Brahms’s violin concertos, Busoni’s Violin Concerto is clearly intended to continue their lineage signi?cantly, Busoni wrote cadenzas for both of them although it never descends into mere imitation. Although it uses quite a large orchestra, it is transparently scored, with plenty of Italianate cantilena for the soloist. Also included is Busoni’s transcription of the Benedictus from Beethoven’s Missa solemnis, which brings the solo violin to the fore, with instrumental obbligati representing the vocal contributions.
In D major, the key of Beethoven’s and Brahms’s violin concertos, Busoni’s Violin Concerto is clearly intended to continue their lineage signi?cantly, Busoni wrote cadenzas for both of them although it never descends into mere imitation. Although it uses quite a large orchestra, it is transparently scored, with plenty of Italianate cantilena for the soloist. Also included is Busoni’s transcription of the Benedictus from Beethoven’s Missa solemnis, which brings the solo violin to the fore, with instrumental obbligati representing the vocal contributions.
In D major, the key of Beethoven’s and Brahms’s violin concertos, Busoni’s Violin Concerto is clearly intended to continue their lineage signi?cantly, Busoni wrote cadenzas for both of them although it never descends into mere imitation. Although it uses quite a large orchestra, it is transparently scored, with plenty of Italianate cantilena for the soloist. Also included is Busoni’s transcription of the Benedictus from Beethoven’s Missa solemnis, which brings the solo violin to the fore, with instrumental obbligati representing the vocal contributions.
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