Wydawnictwo: Hyperion
Nr katalogowy: CDA 67825
Nośnik: 1 CD
Data wydania: grudzień 2010
EAN: 34571178257
Nr katalogowy: CDA 67825
Nośnik: 1 CD
Data wydania: grudzień 2010
EAN: 34571178257
Nasze kategorie wyszukiwania
Epoka muzyczna: współczesna
Obszar (język): flamandzki
Instrumenty: organy
Epoka muzyczna: współczesna
Obszar (język): flamandzki
Instrumenty: organy
Peeters: Organ Music
Hyperion - CDA 67825
Kompozytor
Flor Peeters (1903-1986)
Flor Peeters (1903-1986)
Wykonawcy
D’Arcy Trinkwon, organ
D’Arcy Trinkwon, organ
Utwory na płycie:
- Peeters: Concert Piece, Op. 52a
- Peeters: Aria, Op. 51
- Peeters: Modale Suite, Op. 43 - 1. Koraal
- Peeters: Modale Suite, Op. 43 - 2. Scherzo
- Peeters: Modale Suite, Op. 43 - 3. Adagio
- Peeters: Modale Suite, Op. 43 - 4. Toccata
- Peeters: Variations & Finale On An Old Flemish Carol, Op. 20 - Theme: Moderato
- Peeters: Variations & Finale On An Old Flemish Carol, Op. 20 - Var. 1: Andante
- Peeters: Variations & Finale On An Old Flemish Carol, Op. 20 - Var. 2: Allegretto
- Peeters: Variations & Finale On An Old Flemish Carol, Op. 20 - Var. 3: Vivo Scherzando
- Peeters: Variations & Finale On An Old Flemish Carol, Op. 20 - Var. 4: Lento
- Peeters: Variations & Finale On An Old Flemish Carol, Op. 20 - Var. 5: Allegro Vivo
- Peeters: Variations & Finale On An Old Flemish Carol, Op. 20 - Var. 6: Adagio
- Peeters: Variations & Finale On An Old Flemish Carol, Op. 20 - Var. 7: Allegro Con Spirito
- Peeters: Variations & Finale On An Old Flemish Carol, Op. 20 - Var. 8: Toccata-Finale, Molto Allegro
- Peeters: 10 Chorales, Op. 39 - #03 Nun Sei Willkommen, Jesus, Lieber Herr
- Peeters: 10 Chorales, Op. 39 - #05 Maria Sollte Nach Bethlehem Gehn
- Peeters: Élégie, Op. 38
- Peeters: Toccata, Fugue & Hymne, Op. 28 - 1. Toccata
- Peeters: Toccata, Fugue & Hymne, Op. 28 - 2. Fugue
- Peeters: Toccata, Fugue & Hymne, Op. 28 - 3. Hymne
- Peeters: Lied Symphony, Op. 66 - 3. Lied To The Flowers
- Peeters: Lied Symphony, Op. 66 - 5. Lied To The Sun
Concert Piece Op 52a
Aria Op 51
Suite modale Op 43
Variationen und Finale über ein altflämisches Lied Op 20
From Orgelchoräle Op 39:
No 3 - Nun sei willkommen, Jesus, lieber Herr
No 5 - Maria sollte nach Bethlehem gehn
Élégie Op 38
Toccata, fugue et hymne sur ‘Ave maris stella’ Op 28
From Lied Symphony Op 66:
No 3 - Lied to the Flowers
No 5 - Lied to the Sun
Aria Op 51
Suite modale Op 43
Variationen und Finale über ein altflämisches Lied Op 20
From Orgelchoräle Op 39:
No 3 - Nun sei willkommen, Jesus, lieber Herr
No 5 - Maria sollte nach Bethlehem gehn
Élégie Op 38
Toccata, fugue et hymne sur ‘Ave maris stella’ Op 28
From Lied Symphony Op 66:
No 3 - Lied to the Flowers
No 5 - Lied to the Sun
The Flemish composer-organist Flor Peeters was celebrated in his lifetime with a concert career that took him all around Europe, as well as to America, South Africa and Australia, while remaining the organist of St Rombout’s Cathedral in Mechelen. He was trained as a Catholic church musician and Gregorian chant and the medieval modes remained a lifelong inspiration for his music.
His mature music is often described as neoclassical, and most of it is essentially polyphonic, with an emphasis on simplicity and clarity, transparent linear textures and pungent, incisive tone-colours. Peeters was an almost exact contemporary of Maurice Duruflé, who shared his love of plainsong and the modes. But where Duruflé, with a typically French sensibility, conjured subtle impressionist soundscapes from his modal language, Peeters preferred sharper contours and brighter colours Van Gogh, perhaps, compared with Duruflé’s Monet.
This disc includes a wide selection of his works for organ, encompassing large-scale concert works as well as some of his many chorale preludes. Peeters’ vast and expertly crafted oeuvre matched in its size and scope only by a handful of other organ composers – displays great contrast and imagination.
Marcussen organ of Tonbridge School Chapel
His mature music is often described as neoclassical, and most of it is essentially polyphonic, with an emphasis on simplicity and clarity, transparent linear textures and pungent, incisive tone-colours. Peeters was an almost exact contemporary of Maurice Duruflé, who shared his love of plainsong and the modes. But where Duruflé, with a typically French sensibility, conjured subtle impressionist soundscapes from his modal language, Peeters preferred sharper contours and brighter colours Van Gogh, perhaps, compared with Duruflé’s Monet.
This disc includes a wide selection of his works for organ, encompassing large-scale concert works as well as some of his many chorale preludes. Peeters’ vast and expertly crafted oeuvre matched in its size and scope only by a handful of other organ composers – displays great contrast and imagination.
Marcussen organ of Tonbridge School Chapel