Wydawnictwo: Hyperion
Nr katalogowy: CDA 67802
Nośnik: 1 CD
Data wydania: styczeń 2011
EAN: 34571178028
Nr katalogowy: CDA 67802
Nośnik: 1 CD
Data wydania: styczeń 2011
EAN: 34571178028
Spohr: Symphonies nos 8 & 10
Hyperion - CDA 67802
Kompozytor
Louis Spohr (1784-1859)
Louis Spohr (1784-1859)
Wykonawcy
Orchestra Della Svizzera Italiana / Howard Shelley
Orchestra Della Svizzera Italiana / Howard Shelley
Utwory na płycie:
- Spohr: Der Zweikampf Mit Der Geliebten, WoO 50 - Overture: Andante: Allegro Moderato
- Spohr: Symphony #8 In G, Op. 137 - 1. Adagio: Allegro
- Spohr: Symphony #8 In G, Op. 137 - 2. Poco Adagio
- Spohr: Symphony #8 In G, Op. 137 - 3. Scherzo: Allegretto: Trio: Un Poco Meno Allegro
- Spohr: Symphony #8 In G, Op. 137 - 4. Finale: Allegro
- Spohr: Symphony #10 In E Flat, WoO 8 - 1. Allegro
- Spohr: Symphony #10 In E Flat, WoO 8 - 2. Larghetto
- Spohr: Symphony #10 In E Flat, WoO 8 - 3. Scherzo: Allegretto: Trio
- Spohr: Symphony #10 In E Flat, WoO 8 - 4. Finale: Allegro
Overture ‘Der Zweikampf mit der Geliebten’ WoO 50 first recording
Symphony No 8 in G major Op 137 (1847)
Symphony No 10 in E flat major WoO 8 (1857)
Symphony No 8 in G major Op 137 (1847)
Symphony No 10 in E flat major WoO 8 (1857)
Howard Shelley’s fascinating discs of Spohr’s symphonies with the Orchestra della Svizzera Italiana have reignited interest in a composer who was once the most important in Europe, and particularly so in England, where he was worshipped by all of musical society.
Spohr’s Eighth Symphony is one of the composer’s more conservative experiments with the form. The Tenth is the composer’s final symphony and remained unpublished – languishing in the former Prussian State Library in Berlin for many years – until 2006. Both works bring unexpected pleasures. This is the penultimate volume of a series which as a whole is an important historical document of musical taste.
Spohr’s Eighth Symphony is one of the composer’s more conservative experiments with the form. The Tenth is the composer’s final symphony and remained unpublished – languishing in the former Prussian State Library in Berlin for many years – until 2006. Both works bring unexpected pleasures. This is the penultimate volume of a series which as a whole is an important historical document of musical taste.