Plourés dames
Dame, se vous n’avez aperceü
Ne que on porroit
Sans cuer dolens
Longuement me sui tenus ‘Le lay de Bon Esperance’
Dis et sept, cinq
Puis qu’en oubli
Quant Theseus - Ne quier veoir
Se pour ce muir

The Orlando Consort performs the music of Machaut, the most signi?cant French poet and composer of the fourteenth century. Sometimes described as ‘the last of the trouveres’ because of his dual talents as poet and musician, Machaut built on past traditions yet spearheaded a new school of lyric composition.In the ?eld of literature, he developed several of the poetic forms and genres that dominated for generations to come. His impact on the musical life of his age was equally profound; he is closely associated with the new style of polyphonic love-song that became so popularin the fourteenth century, and today is considered the supreme representative of theArs nova musical tradition thatrevolutionized composition and notation in that period.

Livre dou Voir Dit (‘Book of the True Tale’) is Machaut’s masterpiece. By its very title, the tale purports to be autobiographical: itrelates a supposedly recent episode in the ageing poet-composer’s life, his love affair with a lady some forty years his junior.