Une Cantate de Noël
Horace victorieux
Cello Concerto
Prélude
Fugue et Postlude

Honegger’s Une Cantate de Noël is a Christmas number with a difference. His last work and one of his most popular compositions, it was written for the Basle Chamber Choir and Orchestra in 1953. The text of the cantata is derived from liturgical and popular texts including Psalms and part of the Latin Gloria. A notable feature is the intertwining of traditional carols in French and German: appropriate for multilingual Switzerland and also perhaps symbolizing peace among nations seven years after the conclusion of World War II. Honegger scored the cantata for solo baritone, mixed chorus, children’s choir and an orchestra including organ. The combination of the different texts and forms creates a wonderfully uplifting effect.

This recording from the BBC National Orchestra of Wales under Thierry Fischer also includes a selection of Honegger’s other great orchestral works, all displaying the serious symphonic intent which marked his greatest compositional achievements. Horace victorieux is described as a Symphonie mimée d’apres Tite-Live (‘mimed symphony after Livy’) and was originally conceived as a ballet. The scenario derives from the Roman legend of the combat of the Horatii and the Curiatii. Scored for a large orchestra, it is flamboyant, dissonant, even raucous, and highly coloured. Honegger’s mastery of fugue, so prevalent in Horace victorieux, is further illustrated in his Prélude, Fugue et Postlude.

Honegger’s Cello Concerto was premiered in Boston in 1930 and is a charming, urbanely lyrical work, with a distinct tinge of jazz perhaps actuated by the thought of the American premiere. It was written for the celebrated cellist Maurice Maréchal, who wrote the cadenza himself. In the event, Maréchal provided a brilliantly effective display-piece taking advantage of many of the outrageous aspects of virtuoso cello technique (notably majestic triple- and quadruple-stopping). The brilliant young cellist Alban Gerhardt, celebrated for his performances of little-known cello concertos in Hyperion’s Romantic Cello Concerto series, is the soloist.



BBC MUSIC MAGAZINE DISC OF THE MONTH

'Here is an excellent introduction to a still underrated composer … In the Concerto, Alban Gerhardt ranges from the seductive to the sensational: for the opening, Thierry Fischer conjures up a wonderful dream atmosphere, and at the other end of the scale Gerhardt gives a terrific account of Maurice Maréchal's authorised cadenza … [Prélude, Fugue et Postlude] is one of Honegger's great unknown masterpieces, and Fischer's orchestral balance captures perfectly the personal quality of the three majestic chords that open the Prélude - they could be by no-one else' (BBC Music Magazine)

'This gleaming new recording … The Cello Concerto is a debonair score with a bluesy turn-of-phrase that suggests Honegger was spinning Duke Ellington records on his turntable. Gerhardt plays with genuine soul' (Classic FM Magazine)

'This beautfully judged account of Honegger's Christmas cantata, his last complete work, makes this collection an appropriately seasonal release. But the three other major works here are fascinating … Alban Gerhardt, who seems to make a speciality of less well known 20th-century cello concertos, is the outstanding soloist' (The Guardian)

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Recording details: February 2008; Various recording venues; Produced by Various producers; Engineered by Various engineers; Release date: November 2008;