Gibbs: Songs
Hyperion - CDA 67337
Kompozytor
Armstrong Gibbs
Armstrong Gibbs
Wykonawcy
G.Mcgreevy, S.Varcoe, R.Vignoles
G.Mcgreevy, S.Varcoe, R.Vignoles
Utwory na płycie:
- Track 1
- Track 2
- Track 3
- Track 4
- Track 5
- Track 6
- Track 7
- Track 8
- Track 9
- Track 10
- Track 11
- Track 12
- Track 13
- Track 14
- Track 15
- Track 16
- Track 17
- Track 18
- Track 19
- Track 20
- Track 21
- Track 22
- Track 23
- Track 24
- Track 25
- Track 26
- Track 27
- Track 28
- Track 29
- Track 30
- Track 31
- Track 32
- Track 33
- Track 34
- Track 35
- Track 36
Born into the well-known 'Gibbs toothpaste' family, Armstrong Gibbs (he hated the Cecil with which his name is often prefixed) -- born 1889, died 1960 -- is a member of that wide category of English composers who, without pretensions to 'significance' or greatness, left much attractive and worthwhile music without which we would be much the poorer. Moderately prolific, his 'op' numbers extend to over a hundred. Much of his music, therefore, still awaits investigation and reassessment. He wrote over 150 songs, many of them to words by his friend Walter de la Mare, of which there are a dozen in this collection of 36, including the much-loved 'Silver' and 'Five Eyes'. The programme is shared between soprano Geraldine McGreevy and baritone Stephen Varcoe whose love for these songs is apparent in their affectionate performances with Roger Vignoles.
EDITOR'S CHOICE (GRAMOPHONE)
'Most of these songs I had not heard before, nor, I suspect, have most listeners. Hyperion must be thanked for making them available' (International Record Review)
'Songs which gain in stature through being presented in sequence and superbly done' (Gramophone)
'lyrical, imaginative … Geraldine McGreevy’s soprano voice is sweet and pure' (Classic FM Magazine)
'two superb voices alive to Gibbs’s many moods, while Roger Vignoles accompaniments are a model of sensitivity and understanding' (BBC Music Magazine)
'Geraldine McGreevy and Stephen Varcoe are persuasive advocates … Roger Vignoles is the ideal accompanist, adding to the atmosphere of each song' (The Guardian)
'Stephen Varcoe sings with typical sensitivity … Roger Vignoles offers shapely, perfectly-scaled accompaniments' (Yorkshire Post)
'ces mélodies sont exquises sans etre précieuses. La sensibilité est fine, l’expression nuancée mais sans artifice' (Monde de La Musique, France)
Recording details: March 2002; All Saints, Durham Road, East Finchley, London, United Kingdom; Produced by Mark Brown; Engineered by Julian Millard; Release date: February 2003;
EDITOR'S CHOICE (GRAMOPHONE)
'Most of these songs I had not heard before, nor, I suspect, have most listeners. Hyperion must be thanked for making them available' (International Record Review)
'Songs which gain in stature through being presented in sequence and superbly done' (Gramophone)
'lyrical, imaginative … Geraldine McGreevy’s soprano voice is sweet and pure' (Classic FM Magazine)
'two superb voices alive to Gibbs’s many moods, while Roger Vignoles accompaniments are a model of sensitivity and understanding' (BBC Music Magazine)
'Geraldine McGreevy and Stephen Varcoe are persuasive advocates … Roger Vignoles is the ideal accompanist, adding to the atmosphere of each song' (The Guardian)
'Stephen Varcoe sings with typical sensitivity … Roger Vignoles offers shapely, perfectly-scaled accompaniments' (Yorkshire Post)
'ces mélodies sont exquises sans etre précieuses. La sensibilité est fine, l’expression nuancée mais sans artifice' (Monde de La Musique, France)
Recording details: March 2002; All Saints, Durham Road, East Finchley, London, United Kingdom; Produced by Mark Brown; Engineered by Julian Millard; Release date: February 2003;