It is a bit of a mystery why Saint-Saëns's enjoyable Études are not better known. Perhaps it is their extreme awkwardness which deters pianists these works are prime examples of a peculiarly French school of finger technique which requires absolute independence and equality for each digit, making no concession whatsoever to the weaker fingers or the shape of the hand.

The Opp 52 and 111 sets of Études each end with a barn-storming show-stopper, 'En forme de Valse' and 'Toccata d'apres le 5e Concerto' respectively. The left-hand Études are perhaps less demanding, but nonetheless require a particular clarity and precision, being in essence a pastiche Baroque suite.

The Theme Varié, fundamentally a compendium of pianistic challenges, was written as a test piece for the Paris Conservatoire.



'Lively and sensitive performances make this a fine addition to the Saint-Saëns discography, aided by the pianist's own excellent annotations and Hyperion's usual peerless sound' (Fanfare, USA)

'Piers Lane plays with a blend of grace and expertise which makes light of the many challenges offered by music which tests any artist to the full. Every bar is sheer delight' (Musical Opinion)

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Recording details: December 1997; St George's, Brandon Hill, United Kingdom; Produced by Amanda Hurton; Engineered by Tony Faulkner; Release date: October 1998;