Amilcare Poncielli:
La Gioconda - Cielo e mar

Giuseppe Verdi:
Trubaduren - Ah si ben mio
Maskeradbalen - Di' tu se fedele
Aida - Celeste Aida
I Lombardi - La mia letizia
Rigoletto - Questa o quella
I due Foscari - Aria

Alexandr Borodin:
Furst Igor - Dagen gick langsamt till ro

Nikolai Rimski-Korsakov:
Sadko - Chanson hindou

Charles Gounod:
Romeo och Julia - Ah! leve-toi soleil

Jules Massenet:
Manon - En fermant les yeux
Manon - Ah! Fuyez, douce image

Daniel-Francois-Esprit Auber:
Fra Diavolo - Aria

Fromental Halévy:
La Juive - Rachel, quand du Seigneur

Georges Bizet:
Carmen - Blomsterarian

Umberto Giordano:
Fedora - Amor ti vieta
Andrea Chenier - Come un bel di maggio

Pietro Mascagni:
Cavalleria rusticana - Addio alla madre

Giacomo Puccini:
Boheme - Che gelida manina

Ludwig van Beethoven:
Adelaide

Franz Schubert:
An Silvia

Richard Strauss:
Morgen

Gustaf Nordqvist:
Till havs

Wilhelm Stenhammer:
Sverige

Ragnar Althén:
Land du välsignade

Jean Sibelius:
Var det en dröm

Gioacchino Rossini:
La danza

Francesco Paolo Tosti:
Ideale

Already at the age of four, his father Jussi and his uncles began to learn the essentials of the art of singing under grandfather David’s solid guidance. David came to New York in 1899 and was admitted to the Metropolitan Opera School after a few years where he thoroughly experienced and listened to the very best opera artists. David received the co-called bel canto from the source as he witnessed Enrico Caruso changed the way of singing opera. Returning home to Sweden David arranged concerts in churches and parish homes and later included his sons in what was to be known as the Björling Quartet, touring the country. After a banking career, Lars Björling returned to singing with studies in Rome under Debora Fambri. Here he could get first hand knowledge of bel canto under her safe guidance.