Wydawnictwo: Challenge Classics
Nr katalogowy: CC 72864
Nośnik: 2 CD
Data wydania: luty 2021
EAN: 608917286427
Nr katalogowy: CC 72864
Nośnik: 2 CD
Data wydania: luty 2021
EAN: 608917286427
Bach: Sonatas and Partitas for Violin Solo
Challenge Classics - CC 72864
Kompozytor
Johann Sebastian Bach (1685-1750)
Johann Sebastian Bach (1685-1750)
Wykonawcy
Bob van der Ent, violin
Bob van der Ent, violin
Utwory na płycie:
- Violin Partita No.1 in B Minor, BWV 1002 - VI. Double
- Violin Partita No.1 in B Minor, BWV 1002 - VII. Tempo di Bourrée
- Violin Partita No.1 in B Minor, BWV 1002 - VIII. Double
- Violin Sonata No.2 in A Minor, BWV 1003 - I. Grave
- Violin Sonata No.2 in A Minor, BWV 1003 - II. Fuga
- Violin Sonata No.2 in A Minor, BWV 1003 - III. Andante
- Violin Sonata No.2 in A Minor, BWV 1003 - IV. Allegro
- Violin Sonata No.1 in G Minor, BWV 1001 - I. Adagio
- Violin Sonata No.1 in G Minor, BWV 1001 - II. Fuga
- Violin Sonata No.1 in G Minor, BWV 1001 - III. Siciliana
- Violin Sonata No.1 in G Minor, BWV 1001 - IV. Presto
- Violin Partita No.1 in B Minor, BWV 1002 - I. Allemanda
- Violin Partita No.1 in B Minor, BWV 1002 - II. Double
- Violin Partita No.1 in B Minor, BWV 1002 - III. Courante
- Violin Partita No.1 in B Minor, BWV 1002 - IV. Double
- Violin Partita No.1 in B Minor, BWV 1002 - V. Sarabande
- Violin Partita No.3 in E Major, BWV 1006 - I. Preludio
- Violin Partita No.3 in E Major, BWV 1006 - II. Loure
- Violin Partita No.3 in E Major, BWV 1006 - III. Gavotte en Rondeau
- Violin Partita No.3 in E Major, BWV 1006 - IV. Menuett I & V. Menuett II
- Violin Partita No.3 in E Major, BWV 1006 - VI. Bourrée
- Violin Partita No.3 in E Major, BWV 1006 - VII. Gigue
- Violin Sonata No.3 in C Major, BWV 1005 - I. Adagio
- Violin Sonata No.3 in C Major, BWV 1005 - II. Fuga
- Violin Sonata No.3 in C Major, BWV 1005 - III. Largo
- Violin Sonata No.3 in C Major, BWV 1005 - IV. Allegro assai
- Violin Partita No.2 in D Minor, BWV 1004 - I. Allemande
- Violin Partita No.2 in D Minor, BWV 1004 - II. Courante
- Violin Partita No.2 in D Minor, BWV 1004 - III. Sarabande
- Violin Partita No.2 in D Minor, BWV 1004 - IV. Gigue
- Violin Partita No.2 in D Minor, BWV 1004 - V. Chaconne
CD 1:
Violin Sonata No. 1 in G Minor, BWV 1001
Violin Partita No. 1 in B Minor, BWV 1002
Violin Sonata No. 2 in A Minor, BWV 1003
CD 2:
Violin Sonata No. 3 in C Major, BWV 1005
Violin Partita No. 2 in D Minor, BWV 1004
Violin Partita No. 3 in E Major, BWV 1006
Violin Sonata No. 1 in G Minor, BWV 1001
Violin Partita No. 1 in B Minor, BWV 1002
Violin Sonata No. 2 in A Minor, BWV 1003
CD 2:
Violin Sonata No. 3 in C Major, BWV 1005
Violin Partita No. 2 in D Minor, BWV 1004
Violin Partita No. 3 in E Major, BWV 1006
It was not until I picked up my violin and played a few movements of solo Bach, one winter's evening at home, that the essence of the composer finally permeated my being. I felt an almost mystical unity with the music that I'd never experienced before. Because there are already so many fabulous recordings of Bach, I asked myself "What can I still add to this?" What surprised me, however, was that the wide diversity of approach was actually a great source of inspiration to me rather than being in any way off-putting. Apparently, the possibilities of Bach's music are inexhaustible. This is what gave me the courage I needed to issue a new recording.
To me, the narrative power of Bach's music means that it can sound like new in every era and in every performance. People's opinions of Bach are constantly changing and will continue to do so in the future. My recording of Bach is an interpretation of my vision of his music up until now, and I have striven for authenticity by remaining true to my personal vision, without making it a predominant feature.
Bob van der Ent
Recorded at Muziekcentrum van de Omroep, Hilversum (the Netherlands), 7-8 June and 12-13 September 2019. He plays an violin by Jean Baptiste Vuillaume from 1828, modelled after Stradivarius with gut strings & Baroque bow.
To me, the narrative power of Bach's music means that it can sound like new in every era and in every performance. People's opinions of Bach are constantly changing and will continue to do so in the future. My recording of Bach is an interpretation of my vision of his music up until now, and I have striven for authenticity by remaining true to my personal vision, without making it a predominant feature.
Bob van der Ent
Recorded at Muziekcentrum van de Omroep, Hilversum (the Netherlands), 7-8 June and 12-13 September 2019. He plays an violin by Jean Baptiste Vuillaume from 1828, modelled after Stradivarius with gut strings & Baroque bow.