Utwory na płycie:

• Sonata No. 7 in C minor Op. 30, No. 2 - I. Allegro con brio
• Sonata No. 7 in C minor Op. 30, No. 2 - II. Adagio cantabile
• Sonata No. 7 in C minor Op. 30, No. 2 - III. Scherzo. Allegro & Trio
• Sonata No. 7 in C minor Op. 30, No. 2 - IV. Finale
• Sonata No. 3 in E flat Major Op. 12, No. 3 - I. Allegro con spirito
• Sonata No. 3 in E flat Major Op. 12, No. 3 - II. Adagio con molta espressione
• Sonata No. 3 in E flat Major Op. 12, No. 3 - III. Rondo
• Sonata No. 8 in G Major Op. 30, No. 3 - I. Allegro assai
• Sonata No. 8 in G Major Op. 30, No. 3 - II. Tempo di Minuetto ma molto moderato e grazioso
• Sonata No. 8 in G Major Op. 30, No. 3 - III. Allegro vivace
• Sonata No. 6 in A Major Op. 30, No. 1 - I. Allegro
• Sonata No. 6 in A Major Op. 30, No. 1 - II. Adagio molto espressivo
• Sonata No. 6 in A Major Op. 30, No. 1 - III. Allegretto con variazioni

Sonata No. 3 in E flat Major Op. 12, No. 3
Sonata No. 8 in G Major Op. 30, No. 3
Sonata No. 6 in A Major Op. 30, No. 1
Sonata No. 7 in C minor Op. 30, No. 2

The year 1802 proved to be a year of true challenge for Beethoven, as he finally realised that his decline into deafness was irreversible. However, in this year Beethoven composed some of his most radiant and life-affirming works in that period. Possibly as part of the determination to push the boundaries of his art in pursuit of solace and fulfilment, Beethoven demonstrates a remarkable stylistic shift between the Op. 12 and the Op. 30 Sonatas (written in 1801–2, published in 1803). While the former set was dedicated to Salieri in a nod of appreciation towards his education, the latter was dedicated to Tsar Aleksandr I of Russia, celebrated upon his visits to Vienna in the first part of the 19th Century for his wide-reaching reformist attitude.

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Recorded at MotorMusic Studios, Belgium, 9-11 July 2020. Michael Foyle plays a Gennaro Gagliano violin (1750).