On 11 March 1829 the 20-year-old Felix Mendelssohn conducted a performance of the St Matthew Passion, composed by Johann Sebastian Bach, in the concert hall of the Singakademie in Berlin, almost 100 years after the work had last been played. Some 900 people were in attendance, and the performance was so successful that it was repeated twice, on 21 March and on Good Friday, 17 April 1829.
Mendelssohn was given the score of the St Matthew Passion for his 15th birthday, 3 February 1824.. He knew of the score as one of Zelter's pupils and as a member of the Singakademie, which had a few chorus parts from the St Matthew in its repertoire. Zelter, the conductor of the Singakademie, found the work too difficult to be performed in public. Mendelssohn, however, had a different opinion. In 1828 he set to work on the score, making changes in line with the day and age and the instruments then commonly used. Mendelssohn meant many of his changes to provide a better understanding of what, in his opinion, formed the heart of the passion story.
After its successes in Berlin, the St Matthew Passion was performed in a number of German cities. In 1841 Mendelssohn gave a performance in Leipzig, where he was then Kapellmeister, in the Thomaskirche, the church where the work had first been performed. For its performance in 1841, Mendelssohn again made alterations to the score, but fewer than in 1828/1829.
It is this version from 1841 that you will hear in this recording.
Mendelssohn was faced with a number of problems that made it quite difficult to perform the St Matthew Passion. For example, several instruments were no longer in general use: the oboe da caccia, the oboe d'amore, the gamba and the lute.
About Jan Willem de Vriend / The Netherlands Symphony Orchestra:
The Netherlands Symphony Orchestra is based in Enschede, in the province of Overijssel. Performing at an international level, as evidenced by its highly acclaimed CDs and invitations for international tours, the orchestra is firmly rooted in society.
Jan Willem de Vriend has been its artistic director and chief conductor since 2006. Under De Vriend’s leadership, the orchestra has expanded its repertoire to cover music from four centuries. Its use of period instruments in the Classical repertoire gives the orchestra a distinctive and highly individual character.
The Netherlands Symphony Orchestra performs amongst others in Amsterdam, Rotterdam, Utrecht, Enschede, Zwolle and Deventer. In addition, it often works with the Dutch National Touring Opera Company. In its home town Enschede, the orchestra builds on a symphonic tradition of more than 80 years, and it is known as one of the most modern and entrepreneurial orchestras in the Netherlands. Its international partners include the BBC Philharmonic and the Liszt School of Music Weimar.
The Netherlands Symphony Orchestra created a number of ensembles, such as a chamber orchestra, the Baroque Academy of the Netherlands Symphony Orchestra (BANSO) and various chamber music ensembles. The orchestra’s commitment to expanding its social relevance is also reflected in the large number of projects in which education is a key element.
The Netherlands Symphony Orchestra has made successful tours of the United States, Spain and England, and it has performed in such famous venues as Carnegie Hall in New York and Birmingham Symphony Hall. Its CDs of the complete Beethoven symphonies (for Challenge Classics) and music by Dutch composers such as Julius Röntgen and Jan van Gilse (for the CPO label) were very well received by the international music press.
The orchestra has worked with distinguished conductors, such as its former chief conductor Jaap van Zweden, Vasily Petrenko, Edo de Waart, Hans Vonk, Gerd Albrecht, Marc Soustrot, Eri Klas, Ed Spanjaard, Claus Peter Flor and Tan Dun.
It also has accompanied many celebrated soloists, including Gidon Kremer, Ronald Brautigam, Natalia Gutman, Charlotte Margiono, Antje Weithaas, Marie-Luise Neunecker, Hélene Grimaud, Robert Holl, Fazil Say, Jean-Yves Thibaudet and Thomas Zehetmair.
The Netherlands Symphony Orchestra is financially supported by the Dutch Ministry of Education, Culture and Science, the Province of Overijssel and the Municipality of Enschede, as well as annual contributions from sponsors.