Wydawnictwo: Challenge Classics
Nr katalogowy: CC 72616
Nośnik: 1 CD
Data wydania: kwiecień 2014
EAN: 608917261622
Nr katalogowy: CC 72616
Nośnik: 1 CD
Data wydania: kwiecień 2014
EAN: 608917261622
Nasze kategorie wyszukiwania
Epoka muzyczna: współczesna
Obszar (język): angielski, estoński
Rodzaj: stabat mater
Epoka muzyczna: współczesna
Obszar (język): angielski, estoński
Rodzaj: stabat mater
Part / Moody: Stabat Mater, Simeron
Challenge Classics - CC 72616
Wykonawcy
Kristien Roels, violin
Kris Matthynssens, viola
Pieter Stas, cello
Zsuzsi Tóth, soprano
Barnabás Hegyi, countertenor
Olivier Berten, tenor
Goeyvaerts String Trio
Kristien Roels, violin
Kris Matthynssens, viola
Pieter Stas, cello
Zsuzsi Tóth, soprano
Barnabás Hegyi, countertenor
Olivier Berten, tenor
Goeyvaerts String Trio
Utwory na płycie:
Arvo Pärt:
Stabat Mater
Ivan Moody:
Simeron
Stabat Mater
Ivan Moody:
Simeron
Pure pitches of just intonation penetrate the soul and dissolve deep sadness into consolation... a moving and intimate experience of Sublime beauty.
Arvo Pärt and Ivan Moody have both turned to Orthodox Christianity at some point in their lives and this has permeated the work of both of them in a particular way. Pärt’s relationship with the icon has already been examined by Paul Hillier in his musicological monograph about the composer. Moody himself makes a comparison to the icon in his score.
The icon is a representation of God or a saint, a reference to the transcendent truth. Pärt’s Stabat Mater and Moody’s Simeron each refer in their own way to a truth that unfolds in their music – and specifically in these performances. The listener (Orthodox or not) will be affected by the particular tonal texture which, in Pärt’s case at least, far transcends the text and exposes a truth of human existence.
text by: Philippe Grisar
Arvo Pärt and Ivan Moody have both turned to Orthodox Christianity at some point in their lives and this has permeated the work of both of them in a particular way. Pärt’s relationship with the icon has already been examined by Paul Hillier in his musicological monograph about the composer. Moody himself makes a comparison to the icon in his score.
The icon is a representation of God or a saint, a reference to the transcendent truth. Pärt’s Stabat Mater and Moody’s Simeron each refer in their own way to a truth that unfolds in their music – and specifically in these performances. The listener (Orthodox or not) will be affected by the particular tonal texture which, in Pärt’s case at least, far transcends the text and exposes a truth of human existence.
text by: Philippe Grisar