Wydawnictwo: Challenge Classics
Seria: Buxtehude Opera Omnia
Nr katalogowy: CC 72256
Nośnik: 2 CD
Data wydania: wrzesień 2013
EAN: 608917225624
Seria: Buxtehude Opera Omnia
Nr katalogowy: CC 72256
Nośnik: 2 CD
Data wydania: wrzesień 2013
EAN: 608917225624
Buxtehude: Opera Omnia XVII - Vocal music vol. 7
Challenge Classics - CC 72256
Kompozytor
Dieterich Buxtehude (c.1637-1707)
Dieterich Buxtehude (c.1637-1707)
Utwory na płycie:
- An filius non est Dei BuxWV 6
- All solch dein Gut' wir preisen BuxWV 3
- Schwinget euch himmelan BuxWV 96
- Laudate pueri Dominum BuxWV 69
- Mit Fried und Freund - Klang-Lied BuxWV 76
- O wie selig sind BuxWV 90
- Du Freiden-Furst, Herr Jesu Christ BuxWV 21
- Furwahr, er trug unsere Kranheit BuxWV 31
- Herzlich tut miich verlangen BuxWV 42
- Nimm von uns, Herr BuxWV 78
- Quemadmodum desiderat cervus BuxWV 92
- Ich halte es dafur BuxWV 48
- Ich spracht in meinem Herzen BuxWV 49
- Jesu, meiner Freuden Meister BuxWV 61
- War Gott nicht mit uns diese Zeit BuxWV 102
- Dein edles Herz BuxWV 14
- Wenn ich, Herr Jesu BuxWV 107
- Domine salvum fac regem BuxWV 18
Dieterich Buxtehude’s vocal compositions represent all major genres that were current in Lutheran church music of the later 17th century. They included in particular chorale settings, concertos on biblical texts, arias on contemporary sacred poetry, dialogues, and composite forms such as concertoaria cantatas. Preeminent among them were various kinds of settings based on traditional songs from the church hymnal, i.e., “chorales” in Lutheran terminology.
This Volume includes chorale settings ("All solch dein Güt' wir preisen", "Herzlich tut mich verlangen"), arias like "An filius non est Dei, fons gratiae salus mei", which constitue an important and characteristic part of his sacred music, Ciacconas ("Laudate, pueri, Dominum", "Quemadmodum desiderat cervus") Concertos, which were the most prominent type of vocal-instrumental church music in the 17th century, and Cantata.
This Volume includes chorale settings ("All solch dein Güt' wir preisen", "Herzlich tut mich verlangen"), arias like "An filius non est Dei, fons gratiae salus mei", which constitue an important and characteristic part of his sacred music, Ciacconas ("Laudate, pueri, Dominum", "Quemadmodum desiderat cervus") Concertos, which were the most prominent type of vocal-instrumental church music in the 17th century, and Cantata.