Zelenka: Missa Votiva ZWV 18
Carus - CAR 83223
Kompozytor
Jan Dismas Zelenka (1679-1745)
Jan Dismas Zelenka (1679-1745)
Wykonawcy
Joanne Lunn, soprano
Daniel Taylor, alto
Johannes Kaleschke, tenor
Thomas E. Bauer, bass
Kammerchor Stuttgart
Barockorchester Stuttgart / Frieder Bernius
Joanne Lunn, soprano
Daniel Taylor, alto
Johannes Kaleschke, tenor
Thomas E. Bauer, bass
Kammerchor Stuttgart
Barockorchester Stuttgart / Frieder Bernius
Nagrody i rekomendacje
Utwory na płycie:
1 Missa votiva (Messe) - Kyrie 1.mp3- 2 Missa votiva (Messe) - Christe eleison.mp3
- 3 Missa votiva (Messe) - Kyrie 2.mp3
- 4 Missa votiva (Messe) - Kyrie 3.mp3
- 5 Missa votiva (Messe) - Gloria.mp3
- 6 Missa votiva (Messe) - Gratias agimus tibi.mp3
- 7 Missa votiva (Messe) - Quo tollis.mp3
- 8 Missa votiva (Messe) - Qui sedes.mp3
- 9 Missa votiva (Messe) - Quoniam tu solos sanctus.mp3
- 10 Missa votiva (Messe) - Cum Sancto Spiritu 1.mp3
- 11 Missa votiva (Messe) - Cum Sancto Spiritu 2.mp3
- 12 Missa votiva (Messe) - Credo.mp3
- 13 Missa votiva (Messe) - Et incarnatus est.mp3
- 14 Missa votiva (Messe) - Crucifixus.mp3
- 15 Missa votiva (Messe) - Et resurrexit.mp3
- 16 Missa votiva (Messe) - Sanctus.mp3
- 17 Missa votiva (Messe) - Benedictus.mp3
- 18 Missa votiva (Messe) - Osanna in excelsis.mp3
- 19 Missa votiva (Messe) - Agnus Dei.mp3
- 20 Missa votiva (Messe) - Dona nobis pacem.mp3
The Bohemian composer Jan Dismas Zelenka (1679-1745) spent the last 35 years of his life in Dresden, first as a double bass player and then as composer for the court, writing primarily for the church. Zelenka's music is always fresh and creative, often surprising in its sudden harmonic turns and demanding instrumentations. His compositions are marvellous examples of a subtle blend of Italian and French manners with a most distinctive personal style. Fluency of declamation and wide phrases with elegantly shaped melodies in his choral works are clearly Italianate. French influence is seen in the formal organization of the music into relatively short and contrasting sections. One of the most impressive and most intellectually profound of Zelenka’s late works is a mass in E minor ZWV 18, composed in 1739 and named Missa votiva by the composer. Its structure – the main parts of the mass are subdivided into smaller sections – allows for a wide variety of scoring, including different configurations of soloists, solo arias, chorus alone, and chorus with solo singers. Zelenka also fully employs his orchestra to drive and guide and support the vocal parts.
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