Wydawnictwo: Orfeo
Nr katalogowy: C 985191
Nośnik: 1 CD
Data wydania: listopad 2019
EAN: 4011790985121
Nr katalogowy: C 985191
Nośnik: 1 CD
Data wydania: listopad 2019
EAN: 4011790985121
Auber: Le Macon (Maurer und Schlosser)
Orfeo - C 985191
Kompozytor
Daniel Auber (1782-1871)
Daniel Auber (1782-1871)
Wykonawcy
Roger, a mason - Walter Anton Dotzer
Baptiste, a locksmith - Franz Fuchs
Léon de Mérinville, an officer - Herakles Politis
Usbeck, a Turkish slave - Peter Lagger
Rica, a Turkish slave - Erich Kuchar
Irma, a young Greek odalisque - Hilde Rychling
Henriette, a young Parisienne - Maria Salten
Mme Bertrand, a neighbour - Hildegard Rössel-Majdan
Zobéide, companion to Irma - Jenny Colon
Niederösterreichischer Tonkünstlerchor
Tonkünstler-Orchester Niederösterreich / Kurt Tenner
Roger, a mason - Walter Anton Dotzer
Baptiste, a locksmith - Franz Fuchs
Léon de Mérinville, an officer - Herakles Politis
Usbeck, a Turkish slave - Peter Lagger
Rica, a Turkish slave - Erich Kuchar
Irma, a young Greek odalisque - Hilde Rychling
Henriette, a young Parisienne - Maria Salten
Mme Bertrand, a neighbour - Hildegard Rössel-Majdan
Zobéide, companion to Irma - Jenny Colon
Niederösterreichischer Tonkünstlerchor
Tonkünstler-Orchester Niederösterreich / Kurt Tenner
Utwory na płycie:
Le Macon (Maurer und Schlosser)
Opéra-comique (opéra français) en trois actes
Librettist - Eugene Scribe and Germain Delavigne
First performance - Opéra-Comique (Salle Feydeau), 3. Mai 1825.
Opéra-comique (opéra français) en trois actes
Librettist - Eugene Scribe and Germain Delavigne
First performance - Opéra-Comique (Salle Feydeau), 3. Mai 1825.
Daniel-François-Esprit Auber (1782–1871) was long considered one of the most typically French and most successful opera composers of the 19th century; his overtures were once favourites of the light classical repertoire. This opéra français, first performed on 3 May 1825, relates to the venerable tradition of the rescue opera, which had been in fashion since the French Revolution. Its libretto and score were equally successful. The opera represents a decisive development in Auber’s style, a turning away from imitation of Rossini in favour of Boieldieu’s simplicity, and thereby to a specifically French tradition. It was the first of Auber’s mature opéra-comiques that went on to be an international success, characterised by Italianate sparkle with French grace and lyricism. The work remained in the repertoire from 1825 to 1896 and received 525 performances. By the 1850s it had been translated into German, Danish, Swedish, Polish, Czech and Hungarian. On German stages the opera remained one of Auber’s most popular works, and it was performed as late as 1950 in Vienna.
Historical Recording: ORF Studio, Wien, 14 December 1950. Sung in German
Historical Recording: ORF Studio, Wien, 14 December 1950. Sung in German