Wydawnictwo: Bis
Nr katalogowy: BISSACD 2607
Nośnik: 1 SACD
Data wydania: styczeń 2022
EAN: 7318599926070
Nr katalogowy: BISSACD 2607
Nośnik: 1 SACD
Data wydania: styczeń 2022
EAN: 7318599926070
Beethoven: Piano Sonatas Op. 31
Bis - BISSACD 2607
Kompozytor
Ludwig van Beethoven (1770-1827)
Ludwig van Beethoven (1770-1827)
Wykonawcy
Andreas Haefliger, piano
Andreas Haefliger, piano
Utwory na płycie:
Piano Sonata No. 16 in G major, Op. 31 No. 1
Piano Sonata No. 17 in D minor, Op. 31 No. 2, „Der Sturm“
Piano Sonata No. 18 in E flat major, Op. 31 No. 3
Piano Sonata No. 17 in D minor, Op. 31 No. 2, „Der Sturm“
Piano Sonata No. 18 in E flat major, Op. 31 No. 3
Since 2004, Andreas Haefliger has been presenting Perspectives, a series of recital programmes, in concert and on recordings. Each programme focusses on one or two Beethoven sonatas, juxtaposed with works by other composers which in some way interact with Beethoven’s music and with each other. Now, for his latest release on BIS, Haefliger has instead opted for an all-Beethoven recital, choosing to present the composer’s three sonatas Op. 31 as a group.
In his introduction to the disc, Haefliger describes the set as occupying ‘a very special place in the Beethoven sonata cycle: It preserves a link to the past but gives us also a vision of the works to come, exploring humour and tenderness, nature and the psychology of the human mind.’ The recording took place in the Salle de Musique in La Chaux-de-Fonds, celebrated for its superb acoustics, on a Bechstein concert grand which Haefliger describes as ‘a piano which, while a modern instrument, retains a nostalgic quality in its sound world and was a constant source of inspiration during the sessions.’
Recording: 8th 10th January 2021 at the Salle de Musique, Théâtre populaire romand, La Chaux-de-Fonds, Switzerland. Grand Piano: C. Bechstein grand piano D 282.
In his introduction to the disc, Haefliger describes the set as occupying ‘a very special place in the Beethoven sonata cycle: It preserves a link to the past but gives us also a vision of the works to come, exploring humour and tenderness, nature and the psychology of the human mind.’ The recording took place in the Salle de Musique in La Chaux-de-Fonds, celebrated for its superb acoustics, on a Bechstein concert grand which Haefliger describes as ‘a piano which, while a modern instrument, retains a nostalgic quality in its sound world and was a constant source of inspiration during the sessions.’
Recording: 8th 10th January 2021 at the Salle de Musique, Théâtre populaire romand, La Chaux-de-Fonds, Switzerland. Grand Piano: C. Bechstein grand piano D 282.