Wydawnictwo: Bis
Nr katalogowy: BISSACD 2597
Nośnik: 1 SACD
Data wydania: październik 2021
EAN: 7318599925974
Nr katalogowy: BISSACD 2597
Nośnik: 1 SACD
Data wydania: październik 2021
EAN: 7318599925974
Nasze kategorie wyszukiwania
Epoka muzyczna: romantyzm
Obszar (język): niemiecki
Instrumenty: skrzypce, wiolonczela
Rodzaj: oktet
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!
Epoka muzyczna: romantyzm
Obszar (język): niemiecki
Instrumenty: skrzypce, wiolonczela
Rodzaj: oktet
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!
Schubert: Octet
Bis - BISSACD 2597
Kompozytor
Franz Schubert (1797-1828)
Franz Schubert (1797-1828)
Wykonawcy
Wigmore Soloists:
Isabelle van Keulen, violin
Benjamin Gilmore, violin
Timothy Ridout, viola
Kristina Blaumane, cello
Tim Gibbs, doublebass
Michael Collins, clarinet
Robin O’Neill, bassoon
Alberto Menéndez Escribano, horn
Wigmore Soloists:
Isabelle van Keulen, violin
Benjamin Gilmore, violin
Timothy Ridout, viola
Kristina Blaumane, cello
Tim Gibbs, doublebass
Michael Collins, clarinet
Robin O’Neill, bassoon
Alberto Menéndez Escribano, horn
Utwory na płycie:
Octet in F major, D 803
(1824)
(1824)
Formed in 2020, Wigmore Soloists is a chamber ensemble made up of a roster of outstanding musicians, led by Isabelle van Keulen and Michael Collins. An associate ensemble of the iconic London concert venue Wigmore Hall, it is the first one to be given the honour of using the name. The core line-up of string quintet, wind quintet and piano makes it possible to perform a wide and varied repertoire, and for its first recording the ensemble has chosen one of the larger works in the chamber music literature, in terms of duration as well as the forces involved.
Franz Schubert modelled his Octet in F major on Beethoven's Septet, a work which during the 24 years since its composition had proven extremely popular in Vienna. Schubert therefore copied Beethoven's instrumentation (with the addition of a second violin) as well as his general plan of six movements. The Octet is however almost half as long again as the Septet, perhaps a consequence of Schubert wanting to 'pave the way towards a grand symphony' by writing it. Like Beethoven - and Mozart in his serenades - Schubert strikes a perfect balance between entertainment and sophistication, while also including plenty of opportunities for the players - especially the first violinist and clarinettist - to show off their virtuosity.
Recording: 11th 13th December 2020 at Wigmore Hall, London, England
Franz Schubert modelled his Octet in F major on Beethoven's Septet, a work which during the 24 years since its composition had proven extremely popular in Vienna. Schubert therefore copied Beethoven's instrumentation (with the addition of a second violin) as well as his general plan of six movements. The Octet is however almost half as long again as the Septet, perhaps a consequence of Schubert wanting to 'pave the way towards a grand symphony' by writing it. Like Beethoven - and Mozart in his serenades - Schubert strikes a perfect balance between entertainment and sophistication, while also including plenty of opportunities for the players - especially the first violinist and clarinettist - to show off their virtuosity.
Recording: 11th 13th December 2020 at Wigmore Hall, London, England