Wydawnictwo: Bis
Nr katalogowy: BISSACD 2507
Nośnik: 1 SACD
Data wydania: sierpień 2022
EAN: 7318599925073
Nr katalogowy: BISSACD 2507
Nośnik: 1 SACD
Data wydania: sierpień 2022
EAN: 7318599925073
Nasze kategorie wyszukiwania
Epoka muzyczna: klasycyzm
Obszar (język): niemiecki
Instrumenty: wiolonczela
Rodzaj: koncert
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!
Epoka muzyczna: klasycyzm
Obszar (język): niemiecki
Instrumenty: wiolonczela
Rodzaj: koncert
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!
Haydn: Cello Concertos
Bis - BISSACD 2507
Kompozytor
Joseph Haydn (1732-1809)
Joseph Haydn (1732-1809)
Utwory na płycie:
Joseph Haydn:
Cello Concerto No. 1 in C major, Hob. VIIb:1
Cello Concerto No. 2 in D major, Hob. VIIb:2
Adagio from Symphony No. 13 in D major, Hob. I:13
Paul Hindemith:
Trauermusik for cello and string orchestra
Cello Concerto No. 1 in C major, Hob. VIIb:1
Cello Concerto No. 2 in D major, Hob. VIIb:2
Adagio from Symphony No. 13 in D major, Hob. I:13
Paul Hindemith:
Trauermusik for cello and string orchestra
Joseph Haydn once remarked: ‘I was not a magician on any instrument, but I knew the power and effect of all of them.’ This knowledge he used to good effect in his cello concertos, composed some twenty years apart for two different cellists in ‘his’ orchestra at the court of Prince Esterhazy. Both works are firmly established in the concert repertoire, but this has not always been the case.
Concerto No. 1 in C major was long believed to be lost and it was only in 1961 that a set of parts were discovered in the Prague National Museum. The D major concerto, on the other hand, was never lost, but for a very long time there was doubts concerning its provenance. Only when Haydn's manuscript was found in 1954 could the work’s authorship be clarified beyond doubt. These two jewels in the cello repertoire are here performed by the acclaimed Swiss cellist Christian Poltéra who also directs the Münchener Kammerorchester. Closing the disc is a work composed some 150 years later: the composer and viola player Paul Hindemith wrote his Trauermusik for himself to perform at a concert commemorating the death of George V of England in 1936. It is here heard in the version for cello and strings.
Recording: 6th 9th April 2021 at the Himmelfahrtskirche, München-Sendling, Germany. Instrumentarium: Cello: Antonio Stradivarius ‘Mara’, 1711; Bow: Dominique Peccatte, 1850.
Concerto No. 1 in C major was long believed to be lost and it was only in 1961 that a set of parts were discovered in the Prague National Museum. The D major concerto, on the other hand, was never lost, but for a very long time there was doubts concerning its provenance. Only when Haydn's manuscript was found in 1954 could the work’s authorship be clarified beyond doubt. These two jewels in the cello repertoire are here performed by the acclaimed Swiss cellist Christian Poltéra who also directs the Münchener Kammerorchester. Closing the disc is a work composed some 150 years later: the composer and viola player Paul Hindemith wrote his Trauermusik for himself to perform at a concert commemorating the death of George V of England in 1936. It is here heard in the version for cello and strings.
Recording: 6th 9th April 2021 at the Himmelfahrtskirche, München-Sendling, Germany. Instrumentarium: Cello: Antonio Stradivarius ‘Mara’, 1711; Bow: Dominique Peccatte, 1850.