Wydawnictwo: Bis
Nr katalogowy: BISSACD 2112
Nośnik: 1 SACD
Data wydania: kwiecień 2015
EAN: 7318599921129
Nr katalogowy: BISSACD 2112
Nośnik: 1 SACD
Data wydania: kwiecień 2015
EAN: 7318599921129
Nasze kategorie wyszukiwania
Rodzaj: pieśń
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!
Rodzaj: pieśń
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!Persson – Sempre libera
Bis - BISSACD 2112
Wykonawcy
Miah Persson, soprano
Swedish Radio Symphony Orchestra / Daniel Harding
with *Katarina Karnéus, mezzo-soprano, and **Andrew Staples, tenor
Miah Persson, soprano
Swedish Radio Symphony Orchestra / Daniel Harding
with *Katarina Karnéus, mezzo-soprano, and **Andrew Staples, tenor
Nagrody i rekomendacje
Utwory na płycie:
Donizetti:
Quel guardo il cavaliere… So anch’io la virtu magica
Gounod:
Ah! je ris… (‘Jewel Aria’)
Ah! Je veux vivre
Bellini:
Eccomi in lieta vesta… Oh! quante volte
Bizet:
Je dis que rien ne m’épouvante
Intermezzo from Carmen Suite
Delibes:
Sous le dôme épais (‘Flower Duet’)
Meyerbeer:
Ombre légere
Offenbach:
Belle nuit, ô nuit d’amour (Barcarolle)*
Messager:
Le jour sous le soleil béni
Verdi:
E strano…Sempre libera
Puccini:
Quando me’n vo’
O mio babbino caro
Quel guardo il cavaliere… So anch’io la virtu magica
Gounod:
Ah! je ris… (‘Jewel Aria’)
Ah! Je veux vivre
Bellini:
Eccomi in lieta vesta… Oh! quante volte
Bizet:
Je dis que rien ne m’épouvante
Intermezzo from Carmen Suite
Delibes:
Sous le dôme épais (‘Flower Duet’)
Meyerbeer:
Ombre légere
Offenbach:
Belle nuit, ô nuit d’amour (Barcarolle)*
Messager:
Le jour sous le soleil béni
Verdi:
E strano…Sempre libera
Puccini:
Quando me’n vo’
O mio babbino caro
This recording took place in conjunction with public concerts on 2nd and 3rd April 2014
To the audiences of many of the world’s leading opera houses – the Metropolitan, Covent Garden, Wiener Staatsoper – Miah Persson will be well-known as an infinitely charming Susanna, a beguiling Sophie and a coquettish Fiordiligi. On her latest recording for BIS she takes up a set of different roles, however, as she ventures into the fields of bel canto, opéra lyrique and verismo in the company of Daniel Harding and the Swedish Radio Symphony Orchestra. The range of characters is wide, from a teenage Juliet, eager to live life to the full in Gounod’s Je veux vivre, to Verdi’s Violetta, a courtesan at the height of her powers, who in her scene and aria E strano…tries to convince herself that her freedom is more valuable than love. The programme includes some of the emotional high points in the opera literature (Bellini’s Oh! quante volte, Puccini’s O mio babbino caro), as well as light relief (Norina’s cavatina So anch’io la virtu magica) and moments of pure, unadulterated beauty, such as the Flower Duet from Lakmé and Offenbach’s Barcarolle. In the two latter pieces, Miah Persson is joined by her Swedish colleague, the mezzo-soprano Katarina Karnéus, while the tenor Andrew Staples makes a cameo appearance in Sempre libera, as Alfredo, singing of his love for Violetta below her window
To the audiences of many of the world’s leading opera houses – the Metropolitan, Covent Garden, Wiener Staatsoper – Miah Persson will be well-known as an infinitely charming Susanna, a beguiling Sophie and a coquettish Fiordiligi. On her latest recording for BIS she takes up a set of different roles, however, as she ventures into the fields of bel canto, opéra lyrique and verismo in the company of Daniel Harding and the Swedish Radio Symphony Orchestra. The range of characters is wide, from a teenage Juliet, eager to live life to the full in Gounod’s Je veux vivre, to Verdi’s Violetta, a courtesan at the height of her powers, who in her scene and aria E strano…tries to convince herself that her freedom is more valuable than love. The programme includes some of the emotional high points in the opera literature (Bellini’s Oh! quante volte, Puccini’s O mio babbino caro), as well as light relief (Norina’s cavatina So anch’io la virtu magica) and moments of pure, unadulterated beauty, such as the Flower Duet from Lakmé and Offenbach’s Barcarolle. In the two latter pieces, Miah Persson is joined by her Swedish colleague, the mezzo-soprano Katarina Karnéus, while the tenor Andrew Staples makes a cameo appearance in Sempre libera, as Alfredo, singing of his love for Violetta below her window
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