Wydawnictwo: Biddulph
Nr katalogowy: BID 85048-2
Nośnik: 1 CD
Data wydania: sierpień 2024
EAN: 744718504824
Nr katalogowy: BID 85048-2
Nośnik: 1 CD
Data wydania: sierpień 2024
EAN: 744718504824
Bartok / Glazunov: Zoltan Szekely plays Glazunov & Bartok
Biddulph - BID 85048-2
Wykonawcy
Zoltan Szekely, violin
Hungarian String Quartet
Zoltan Szekely, violin
Hungarian String Quartet
Bartok, Bela:Romanian Folk Dances (6) for piano, Sz56 BB68 (arr. Zoltan Szekely for violin and piano)
String Quartet no.5, Sz102 BB110
String Quartet no.6, Sz114 BB119
Glazunov, Alexander:
Violin Concerto in A minor, op.82
String Quartet no.5, Sz102 BB110
String Quartet no.6, Sz114 BB119
Glazunov, Alexander:
Violin Concerto in A minor, op.82
Zoltán Székely is remembered today as the first violinist of the famed Hungarian String Quartet but he was also a distinguished soloist in his own right. He studied with the legendary Jenő Hubay and was rated the one of the finest Hungarian soloist of his generation. The Glazunov Concerto featured on this CD was the only commercial concerto recording Székely’s ever made. Also featured is the violinist’s celebrated transcription of Béla Bartók’s Romanian Folk Dances. Székely performed frequently with Bartók in recital, andwas the dedicatee of the composer’s Second Rhapsody.
As leader of the Hungarian String Quartet, Székely displays his authoritative command as a chamber musician. The Quartet was particularly renowned for their Beethoven cycle, and made the definitive recordings of Bartók’s six quartets. The HSQ’s recordings of the composer’s Fifth and Sixth Quartets included here were made in 1946 and 1949 respectively, and have particular relevancy as they were coached by the composer himself.
As leader of the Hungarian String Quartet, Székely displays his authoritative command as a chamber musician. The Quartet was particularly renowned for their Beethoven cycle, and made the definitive recordings of Bartók’s six quartets. The HSQ’s recordings of the composer’s Fifth and Sixth Quartets included here were made in 1946 and 1949 respectively, and have particular relevancy as they were coached by the composer himself.