Wydawnictwo: Avi Music
Nr katalogowy: AVI 8553379
Nośnik: 1 CD
Data wydania: listopad 2017
EAN: 4260085533794
Nr katalogowy: AVI 8553379
Nośnik: 1 CD
Data wydania: listopad 2017
EAN: 4260085533794
Nasze kategorie wyszukiwania
Epoka muzyczna: 20 wiek do 1960
Obszar (język): polski, francuski
Instrumenty: fortepian
Epoka muzyczna: 20 wiek do 1960
Obszar (język): polski, francuski
Instrumenty: fortepian
Debussy / Szymanowski: Cathy Krier
Avi Music - AVI 8553379
Wykonawcy
Cathy Krier, piano
Cathy Krier, piano
Utwory na płycie:
- Masks Op. 34 (1915) - III. Sérénade de Don Juan
- Images Book I L. 110 (1904/05) - I. Reflets dans l’Eau
- Images Book I L. 110 (1904/05) - II. Hommage à Rameau
- Images Book I L. 110 (1904/05) - III. Mouvement
- Images Book II L. 111 (1907) - I. Cloches à travers les feuilles
- Images Book II L. 111 (1907) - II. Et la lune descend sur le temple qui fût
- Images Book II L. 111 (1907) - III. Poissons d’or
- Masques L. 105 (1890)
- Masks Op. 34 (1915) - I. Shéhérazade
- Masks Op. 34 (1915) - II. Tantris le Bouffon
Claude Debussy:
Images Book I L. 110
Images Book II L. 111
Masques L. 105
Karol Szymanowski:
Masks, Op. 34
Images Book I L. 110
Images Book II L. 111
Masques L. 105
Karol Szymanowski:
Masks, Op. 34
„In this new album, Cathy Krier takes an original step and goes entirely against the grain of her previous programmatic approach. In her two most recent CDs she had juxtaposed the apparently divergent styles of Rameau and Ligeti, or Liszt vs. Berg/Schoenberg, uncovering astounding new connections among them. The current release now takes the opposite path. At first glance, Claude Debussy – the inventor of musical Impressionism – and Karol Szymanowski – often called the ‘Polish Impressionist’ – would seem to have much in common. Both composers even use the same title in French: Masques (masks). Cathy Krier affirms, nevertheless, that she is much more interested in the differences one can observe between these two works written roughly during the same period. Our listening experience is thus enriched thanks to a new, fascinating aesthetical perspective. “ (excerpts from the booklet notes by Clemens Matuschek)
„Krier steers her own path between sentimental and spiky, with a bright, forthright tone and an approach that underlines the music’s depth to Schumann and Brahms“(Boston Globe October 2015)
Recording: XI 2016, Chamber Music Hall of Philharmonie Luxemburg
„Krier steers her own path between sentimental and spiky, with a bright, forthright tone and an approach that underlines the music’s depth to Schumann and Brahms“(Boston Globe October 2015)
Recording: XI 2016, Chamber Music Hall of Philharmonie Luxemburg